At the heart of Jared Kushner’s Gaza ceasefire proposal lies a significant conflict of interest.

This CSS code defines a custom font family called “Guardian Headline Full” with multiple font weights and styles. It includes light (300), regular (400), medium (500), and semibold (600) weights, each available in both normal and italic styles. The font files are provided in three formats (woff2, woff, and ttf) from the Guardian’s asset server to ensure broad browser compatibility.This CSS code defines several font families for the Guardian website. It specifies different font weights and styles for the “Guardian Headline Full” family, including bold, black, light, and regular versions, each with normal and italic styles where available. Additionally, it defines the “Guardian Titlepiece” font family in bold weight. Each font is provided in multiple formats (WOFF2, WOFF, and TrueType) from the Guardian’s asset server to ensure broad browser compatibility.@font-face {
font-family: Guardian Headline Full;
src: url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-RegularItalic.woff2) format(“woff2”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-RegularItalic.woff) format(“woff”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-RegularItalic.ttf) format(“truetype”);
font-weight: 400;
font-style: italic;
}

@font-face {
font-family: Guardian Headline Full;
src: url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BlackItalic.woff2) format(“woff2”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BlackItalic.woff) format(“woff”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BlackItalic.ttf) format(“truetype”);
font-weight: 900;
font-style: italic;
}This text appears to be CSS code defining font styles and responsive grid layouts for a website, likely for The Guardian. It specifies font files for different weights and styles, and sets up grid templates that adjust based on screen size, organizing content areas like title, headline, media, and body for various page sections.For interactive grid figures with immersive captions in specific content areas, the caption padding is set to 4 pixels at the top and 0 elsewhere.

In various content sections, elements named “lines” and “meta” within interactive grids are positioned in the grid from row 2 to 5 and column 1 to 2. The “lines” elements have a maximum content height and a top margin of 5 pixels, while “meta” elements have an 18-pixel top margin.

On larger screens (81.25em and above), interactive grids in these content areas use a five-column layout with specific widths: 219px, 1px, 620px, 80px, and 300px.

For iOS and Android devices, article headers have customized typography:
– Standfirst paragraphs use Guardian Headline or similar serif fonts with medium weight.
– Section kickers display as blocks and capitalize their first letter.
– Keylines have 12 pixels of top padding.
– Author bylines use bold serif fonts, including links.
– Image figures adjust to auto height.
– Paragraphs following atomic elements have no top margin.

The Guardian Headline Full font is loaded in light and light italic weights from the Guardian’s servers, with support for WOFF2, WOFF, and TrueType formats.The Guardian Headline Full font family includes various styles and weights, such as regular, medium, semibold, and bold, each with normal and italic versions. These fonts are available in multiple formats like WOFF2, WOFF, and TrueType from the Guardian’s website.@font-face {
font-family: ‘Guardian Headline Full’;
src: url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Black.woff2’) format(‘woff2’),
url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Black.woff’) format(‘woff’),
url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Black.ttf’) format(‘truetype’);
font-weight: 900;
font-style: normal;
}

@font-face {
font-family: ‘Guardian Headline Full’;
src: url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BlackItalic.woff2’) format(‘woff2’),
url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BlackItalic.woff’) format(‘woff’),
url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BlackItalic.ttf’) format(‘truetype’);
font-weight: 900;
font-style: italic;
}

@font-face {
font-family: ‘Guardian Titlepiece’;
src: url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-titlepiece/noalts-not-hinted/GTGuardianTitlepiece-Bold.woff2’) format(‘woff2’),
url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-titlepiece/noalts-not-hinted/GTGuardianTitlepiece-Bold.woff’) format(‘woff’),
url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-titlepiece/noalts-not-hinted/GTGuardianTitlepiece-Bold.ttf’) format(‘truetype’);
font-weight: 700;
font-style: normal;
}

@media (min-width: 71.25em) {
.content__main-column–interactive {
margin-left: 160px;
}
}

@media (min-width: 81.25em) {
.content__main-column–interactive {
margin-left: 240px;
}
}

.content__main-column–interactive .element-atom {
max-width: 620px;
}

@media (max-width: 46.24em) {
.content__main-column–interactive .element-atom {
max-width: 100%;
}
}

.content__main-column–interactive .element-showcase {
margin-left: 0;
}

@media (min-width: 46.25em) {
.content__main-column–interactive .element-showcase {
max-width: 620px;
}
}

@media (min-width: 71.25em) {
.content__main-column–interactive .element-showcase {
max-width: 860px;
}
}

.content__main-column–interactive .element-immersive {
max-width: 1100px;
}

@media (max-width: 46.24em) {
.content__main-column–interactive .element-immersive {
width: calc(100vw – var(–scrollbar-width));
position: relative;
left: 50%;
right: 50%;
margin-left: calc(-50vw + var(–half-scrollbar-width)) !important;
margin-right: calc(-50vw + var(–half-scrollbar-width)) !important;
}
}

@media (min-width: 46.25em) {
.content__main-column–interactive .element-immersive {
transform: translate(-20px);
width: calc(100% + 60px);
}
}

@media (max-width: 71.24em) {
.content__main-column–interactive .element-immersive {
margin-left: 0;
margin-right: 0;
}
}

@media (min-width: 71.25em) {
.content__main-column–interactive .element-immersive {
transform: translate(0);
width: auto;
}
}

@media (min-width: 81.25em) {
.content__main-column–interactive .element-immersive {
max-width: 1260px;
}
}

.content__main-column–interactive p,
.content__main-column–interactive ul {
max-width: 620px;
}

.content__main-column–interactive:before {
position: absolute;
top: 0;
height: calc(100% + 15px);
min-height: 100px;
content: “”;
}

@media (min-width: 71.25em) {
.content__main-column–interactive:before {
border-left: 1px solid #dcdcdc;
z-index: -1;
left: -10px;
}
}

@media (min-width: 81.25em) {
.content__main-column–interactive:before {
border-left: 1px solid #dcdcdc;
left: -11px;
}
}

.content__main-column–interactive .element-atom {
margin-top: 0;
margin-bottom: 0;
padding-bottom: 12px;
padding-top: 12px;
}

.content__main-column–interactive p + .element-atom {
padding-top: 0;
padding-bottom: 0;
margin-top: 12px;
margin-bottom: 12px;
}

.content__main-column–interactive .element-inline {
max-width: 620px;
}

@media (min-width: 61.25em) {
figure[data-spacefinder-role=”inline”].element {
max-width: 620px;
}
}

:root {
–dateline: #606060;
–headerBorder: #dcdcdc;
–captionText: #999;
–captionBackground: hsla(0, 0%, 7%, 0.72);
–feature: #c70000;
–new-pillar-colour: var(–primary-pillar, var(–feature));
}

.content__main-column–interactive .element.element-atom,
.element.element-atom {
padding: 0;
}

#article-body > div .element-atom:first-of-type + p:first-of-type,
#article-body > div .element-atom:first-of-type + .sign-in-ga {
/ No additional styles specified /
}For the first paragraph in specific sections like article body, interactive content, comments, and features, add a top padding of 14 pixels.

Style the first letter of these initial paragraphs with a large, bold, uppercase font from the Guardian Headline or similar serif families. Set its size to 111 pixels with a line height of 92 pixels, float it to the left, and color it using a custom variable for drop caps. Also, include an 8-pixel margin to the right and align it to the top of the text.

Remove top padding for paragraphs that come right after a horizontal rule in these sections.

For showcase elements in main content, feature articles, standard articles, and comment sections, position captions statically and set their width to 100% with a maximum of 620 pixels.

Make immersive elements span the full viewport width, accounting for the scrollbar. On screens up to 71.24em wide, limit their maximum width to 978 pixels and adjust caption padding: 10 pixels on smaller screens and 20 pixels between 30em and 71.24em. For medium screens between 46.25em and 61.24em, also restrict the maximum width.@media (max-width: 46.24em) {
.element.element–immersive.element-immersive {
margin-left: -10px !important;
margin-right: 0 !important;
left: 0;
}
}

@media (max-width: 46.24em) and (min-width: 30em) {
.element.element–immersive.element-immersive {
margin-left: -20px !important;
}
.element.element–immersive.element-immersive figcaption {
padding-inline: 20px;
}
}

@media (min-width: 61.25em) {
.furniture-wrapper {
display: grid;
grid-column-gap: 20px;
grid-row-gap: 0px;
grid-template-columns: [title-start headline-start meta-start standfirst-start] repeat(5, 1fr) [title-end headline-end meta-end standfirst-end portrait-start] repeat(5, 1fr) [portrait-end];
grid-template-rows: [title-start portrait-start] .25fr [title-end headline-start] 1fr [headline-end standfirst-start] .75fr [standfirst-end meta-start] auto [meta-end portrait-end];
}
.furniture-wrapper #headline > div:first-child,
.furniture-wrapper [data-gu-name=headline] > div:first-child,
.furniture-wrapper .headline > div:first-child {
border-top: 1px solid var(–headerBorder);
}
.furniture-wrapper #meta,
.furniture-wrapper [data-gu-name=meta] {
position: relative;
padding-top: 2px;
margin-right: 0;
}
.furniture-wrapper .standfirst .content__standfirst,
.furniture-wrapper #standfirst .content__standfirst,
.furniture-wrapper [data-gu-name=standfirst] .content__standfirst {
margin-bottom: 4px;
}
.furniture-wrapper .standfirst ul li,
.furniture-wrapper #standfirst ul li,
.furniture-wrapper [data-gu-name=standfirst] ul li {
font-size: 20px;
}
.furniture-wrapper .standfirst li a,
.furniture-wrapper .standfirst a,
.furniture-wrapper #standfirst li a,
.furniture-wrapper #standfirst a,
.furniture-wrapper [data-gu-name=standfirst] li a,
.furniture-wrapper [data-gu-name=standfirst] a {
border-bottom: none;
background-image: none !important;
text-decoration: underline;
text-underline-offset: 6px;
text-decoration-color: var(–headerBorder, #dcdcdc);
}
.furniture-wrapper .standfirst li a:hover,
.furniture-wrapper .standfirst a:hover,
.furniture-wrapper #standfirst li a:hover,
.furniture-wrapper #standfirst a:hover,
.furniture-wrapper [data-gu-name=standfirst] li a:hover,
.furniture-wrapper [data-gu-name=standfirst] a:hover {
text-decoration-color: var(–new-pillar-colour);
}
.furniture-wrapper .standfirst p:first-of-type,
.furniture-wrapper #standfirst p:first-of-type,
.furniture-wrapper [data-gu-name=standfirst] p:first-of-type {
border-top: 1px solid var(–headerBorder);
padding-bottom: 0;
}
}

@media (min-width: 61.25em) and (min-width: 71.25em) {
.furniture-wrapper .standfirst p:first-of-type,
.furniture-wrapper #standfirst p:first-of-type,
.furniture-wrapper [data-gu-name=standfirst] p:first-of-type {
border-top: unset;
}
}

@media (min-width: 61.25em) {
.furniture-wrapper figure {
margin: 0 0 0 -10px;
}
.furniture-wrapper figure[data-spacefinder-role=inline].element {
max-width: 630px;
}
}

@media (min-width: 71.25em) {
.furniture-wrapper {
grid-template-columns: [title-start headline-start meta-start] repeat(2, 1fr) [meta-end standfirst-start] repeat(5, 1fr) [title-end headline-end standfirst-end portrait-start] repeat(7, 1fr) [portrait-end];
grid-template-rows: [title-start portrait-start] 80px [title-end headline-start] auto [headline-end standfirst-start meta-start] auto [standfirst-end meta-end portrait-end];
}
.furniture-wrapper #meta:before,
.furniture-wrapper [data-gu-name=meta]:before {
content: “”;
width: 540px;
position: absolute;
top: 0;
background-color: var(–headerBorder);
height: 1px;
}
.furniture-wrapper .standfirst p,
.furniture-wrapper #standfirst p,
.furniture-wrapper [data-gu-name=standfirst] p {
border-top: unset;
}
.furniture-wrapper .standfirst:before,
.furniture-wrapper #standfirst:before,
.furniture-wrapper [data-gu-name=standfirst]:before {
content: “”;
width: 1px;
background-color: var(–headerBorder);
height: 100%;
position: absolute;
top: 0;
left: .5px;
}
}

@media (min-width: 81.25em) {
.furniture-wrapper {
grid-template-columns: [title-start headline-start meta-start] repeat(3, 1fr) [meta-end standfirst-start] repeat(5, 1fr) [title-end headline-end standfirst-end portrait-start] repeat(8, 1fr) [portrait-end];
grid-template-rows: [title-start portrait-start] .25fr [title-end headline-start] 1fr [headline-end standfirst-start meta-start] .75fr [standfirst-end meta-end portrait-end];
}
}The CSS code defines styles for a webpage layout, adjusting elements like headlines, meta information, and media based on screen size. Headlines are set to a bold font with specific widths and font sizes that change on larger screens. For medium screens, some margins are removed, and on larger screens, certain lines are hidden. Social and comment elements have borders matching the header’s color, and some components are not displayed.

The standfirst section has left padding and adjusts its top padding on medium screens, with paragraph text in a regular weight and larger font size. Main media elements are positioned relatively, taking full width and adjusting margins on smaller screens. Captions are placed at the bottom with a background color and text styling, including hidden elements and a button for toggling visibility. On very large screens, the main content column’s height is increased, and headings have a maximum width. Dark mode support is included, changing background and feature colors for iOS and Android devices when dark mode is preferred.For iOS and Android devices, the first letter of the first paragraph in feature, standard, and comment articles is styled with a secondary pillar color. Article headers are hidden, and the furniture wrapper has minimal padding. Labels within the furniture wrapper use a bold, capitalized font in a specific color, while headlines are set to 32px, bold, with bottom padding and a dark color. Image figures in the furniture wrapper are also adjusted for these platforms.For Android devices, images in standard and comment articles are positioned relatively, with a 14px top margin, 10px negative left margin, and a width that adjusts to the viewport minus the scrollbar.

On both iOS and Android, images and their inner elements in feature, standard, and comment articles have a transparent background and a width that accounts for the viewport minus the scrollbar, with automatic height.

The standfirst section in these articles on both platforms has 4px top padding, 24px bottom padding, and a 10px negative right margin.

Paragraphs within the standfirst use the Guardian Headline font family or fallback serif fonts.

Links in the standfirst, including those in lists, are styled with the new pillar color, underlined with a 6px offset, and have a header border color for the underline, with no background image or bottom border.For iOS and Android devices, when hovering over links within the standfirst section of feature, standard, or comment articles, the text decoration color changes to the new pillar color. Additionally, the meta section in these articles has no margin, and elements like bylines and author links within the meta section adopt the new pillar color for their text. The meta misc section has no padding, and any SVG icons within it are also styled accordingly.For Android and iOS devices, the following styles apply to feature, standard, and comment article containers:

– Icons in the metadata section use the new pillar color for strokes.
– Caption buttons in showcase elements are displayed as centered flex containers, sized 28×28 pixels with 5px padding, positioned 14px from the right.
– Article body content has 12px horizontal padding.
– Regular image elements (excluding thumbnails and immersive ones) span the full viewport width minus 24px and scrollbar width, with no margin and automatic height, while their captions have no padding.
– Immersive image elements extend across the full viewport width minus the scrollbar width.
– Quoted text in prose sections is preceded by a colored marker using the new pillar color.
– Links within article body prose…For iOS and Android devices, links within article bodies in feature, standard, and comment sections are styled with the primary pillar color, underlined with a 6px offset, and use the header border color for the underline. When hovered over, the underline changes to the new pillar color.

In dark mode, the furniture wrapper background becomes dark gray. Labels adopt the new pillar color, while headlines and standfirst text use the header border color. Links and author bylines in standfirst and meta sections also take on the header border color.For iOS and Android devices, apply the following styles to feature, standard, and comment article containers:

– Set the stroke color of SVG icons in the meta section to the new pillar color
– Set the caption color of showcase images to the dateline color
– Set the text color of quoted blockquotes to the new pillar color
– Apply a dark background to all main content areas
– Style the first letter after atomic elements in article bodies with appropriate drop cap formattingThis CSS code targets the first letter of paragraphs that follow specific elements within various article containers on iOS and Android devices. It applies to different sections like the main article body, feature body, comment body, and interactive content areas, ensuring consistent styling for drop caps or initial letter formatting across the platform.For Android devices, the first letter of paragraphs in various article containers (feature, standard, comment) and their specific sections (article-body, feature-body, comment-body, content–interactive) will be styled with a color variable, defaulting to white. This applies to paragraphs following elements like .element-atom, .sign-in-gate, or #sign-in-gate.

On iOS and Android comment articles, the standfirst element within the furniture-wrapper has a top padding of 24px and no top margin. Additionally, all h2 headings in prose have a font size of 24px.For iOS devices, the caption button has a top padding of 6px and side padding of 5px, while on Android, it’s 4px all around.

In dark mode, text and icon colors adjust for better readability, with specific shades for follow text, icons, standfirst text, links, and bylines.

When the Guardian organization logo is present, branding elements are displayed prominently.

Labels and headlines are set to a medium font weight for emphasis.

The page background uses a light pink shade (#fff4f2) for weekend essays, which also applies to article sections and sub-meta areas.

Lines are hidden, and the furniture wrapper is positioned relatively.

On larger screens, the layout uses a grid with defined rows for title, headline, standfirst, and meta sections.

The article header has a fixed height and includes a decorative book GIF in the bottom right corner, which enlarges on wider screens.

A horizontal line appears below labels on smaller screens but disappears on medium and larger displays.

The header height increases slightly on very large screens.For screens wider than 1300px, adjust the furniture wrapper’s article header and title elements to a height of 125px.

On the same screen size, shift the headline and related elements upward by 2 pixels.

Remove bottom padding from the headline’s inner div elements.

Within the headline wrapper, set the container to full height with relative positioning, hidden overflow, and 24px bottom padding. Allow headline text and links to use their natural maximum width.

When hovering over headlines or links, make the underline 2 pixels thick and offset it by 6 pixels.

Style headline text, links, and bylines with 115% line height, medium font weight, and 36px font size. Increase this to 50px on screens wider than 1140px.

Position the standfirst element relatively with 4px top padding, removing it on screens over 980px and reducing to 2px on screens over 1140px.

Display branding elements within the meta container.

Position the main media element relatively, placing it in the “portrait” grid area on screens wider than 980px. Ensure its child divs maintain relative positioning.The furniture wrapper styles the main media elements. For the main media or elements with the data attribute “media,” the span following a div is displayed as a block. Figures within these containers take up full height and have a left margin of 10 pixels.

Images and captions inside these figures are set to a width that adjusts based on the viewport, minus 40 pixels and accounting for the scrollbar width, with auto height, a left margin of 20 pixels, and vertical padding. Captions also have a bottom margin and padding.

A decorative frame is added before each figure using a background image, positioned absolutely to cover the area with specific dimensions and centered.

On medium screens and larger (min-width: 46.25em), figures lose their left margin. Images and captions have fixed widths and adjusted margins and padding, while the frame’s width increases and shifts left.

For wider screens (min-width: 61.25em), the frame and content widths are reduced, with images and captions aligned without left margins and less padding.

On even larger screens (min-width: 71.25em and 81.25em), the frame and content widths increase incrementally, with fine-tuned margins and padding for optimal layout.

The caption button is positioned at the bottom right, with its placement adjusted across different screen sizes for better accessibility.

A no-media division is centered within the container, taking up the full width.The CSS code defines styles for a furniture wrapper’s main media section, setting paragraph text to 24px size, bold weight, underlined, and a specific color. For interactive content columns on wider screens, it removes left margin and hides a preceding element. Supporting elements with blockquotes get a pinkish background.

First paragraphs feature a large, uppercase drop cap in a headline font with custom color. Headings are styled in burnt orange at 28px (32px on larger screens) with light weight, turning medium weight if bolded. Figures containing iframes also adopt the pinkish background.

On apps and mobile platforms, follow buttons display with adjusted spacing and smaller text. Media elements fit their content width. In dark mode, backgrounds switch to dark gray, and a decorative book image appears after article headers.For iOS and Android apps, the main media figure uses a specific white frame background image. The body background is set to white on these devices.

Labels and headlines in article containers are displayed with a medium font weight.

In light mode, the background color for iOS and Android is a custom weekend essay background or a light pink shade.

For iOS and Android, the opinion primary color is set to a dark orange, and the byline anchor uses this color.

In dark mode, the weekend essay background becomes dark gray, and the opinion primary color changes to a bright orange. Opinion articles on iOS have their body and tags background reset.

Article containers on iOS and Android use the weekend essay background color.

On larger screens, the furniture wrapper in article containers uses a specific grid layout with defined columns and rows.

The title and GIF wrapper in article containers is displayed as a flexible row with space between items and relative positioning.For iOS and Android devices, the content labels in feature, standard, and comment article containers have a font size of 17px, normal style, bold weight, and 115% line height. Links within these labels use a custom color (defaulting to #c74600) and have no text transformation.

GIF containers and their images in these sections are set to 70px by 70px. White book GIFs are hidden by default.

In dark mode, regular book GIFs are not displayed on iOS devices.This CSS code hides certain GIF elements with the class “book-gif” on iOS and Android devices for feature, standard, and comment article containers. Instead, it displays white versions of these GIFs (“book-gif-white”). It also adds a horizontal line at the bottom of the title and GIF wrapper on these devices, which spans the full viewport width on smaller screens but reduces to half the viewport width on screens larger than 61.25em.For dark color schemes on iOS and Android devices, the background color after the title and GIF wrapper in feature, standard, and comment article containers is set to #606060.

On screens wider than 61.25em, the portrait main media headline wrapper in these article containers for iOS and Android is assigned to the grid area named “headline.”

Additionally, for both iOS and Android in feature, standard, and comment article containers, the headline (h1), byline, and its links have a font size of 36px, normal style, medium weight (500), and a line height of 115%. The byline and its components also share these typography settings.For Android devices, the author’s name in comment articles is displayed in red.

In dark mode, the author’s name appears in a darker orange shade across all article types on both iOS and Android.

On iOS and Android, author profile pictures are hidden in all article layouts.

Article headlines have no bottom margin or padding on both iOS and Android platforms.

Author bylines are shown in italic style, but the author’s name within the byline remains in normal font on both operating systems.

The main media element in articles automatically adjusts its height while maintaining a 4:5 aspect ratio with a transparent background on both iOS and Android.For iOS and Android devices, the following styles apply to feature, standard, and comment article containers:

– The main media figure element has full height and no left margin.
– The inner figure is positioned at the top-left corner.
– The element’s inner container has a transparent background, visible overflow, and no padding.
– Images within these elements are set to the viewport width minus 40 pixels, with 20 pixels left margin and 25 pixels top margin.
– For images directly inside the element’s inner container, the top margin is reduced to 13 pixels.
– Figure captions are styled consistently across all these contexts.For all devices, the figure captions within the main media section will have an automatic height.

On iOS and Android devices, captions in feature, standard, and comment articles are displayed as blocks with no maximum height, positioned relatively, and use a custom color for text (defaulting to #999).

For screens wider than 46.25em, figures in these sections on both iOS and Android will have no maximum width limit. A decorative element before the figure will span almost the full viewport width with small margins. Images inside these figures will take up most of the viewport width with centered margins and top spacing.

On larger screens above 61.25em, similar adjustments apply to the decorative element before figures.For iOS and Android devices, the main media figure elements in feature, standard, and comment articles have specific styles. The width of the figure’s pseudo-element is set to half the viewport width minus 20 pixels and any scrollbar width. Images within these figures are sized at half the viewport width minus 40 pixels and the scrollbar width, with a left margin of 18 pixels, auto height, no padding, and a top margin of 10 pixels.

On larger screens (min-width: 71.25em), the pseudo-element is positioned 4 pixels higher. For even wider screens (min-width: 81.25em), the pseudo-element shifts 20 pixels to the left, and images adjust to half the viewport width minus 90 pixels and the scrollbar width, with a left margin of 12 pixels, a negative top margin of 10 pixels, and a top padding of 21 pixels.

In dark mode, the pseudo-element uses a white frame image as its background. Additionally, the first image in these figures has distinct styling for both operating systems.For iOS and Android devices, the first image in the main media section of feature, standard, and comment articles has specific styling. Initially, the image’s width is set to the full viewport width minus 20 pixels and the scrollbar width, with no left margin and 10px padding.

On screens wider than 61.25em, the image width adjusts to half the viewport width minus 30px and the scrollbar width, with a 5px left margin, auto height, and 21px top padding. For screens over 81.25em, the width becomes half the viewport minus 70px and the scrollbar width, with a 5px left margin, auto height, a -10px top margin, and 21px top padding.

Additionally, on screens wider than 61.25em, the figure containing the first image has a height of 100% and a maximum width of 620px. Its pseudo-element before the image has a width of half the viewport minus 20px and the scrollbar width, aligned to the left, and full height.For iOS and Android devices, the first image in feature, standard, and comment articles has a left offset of -20px.

On screens wider than 46.25em, the caption button in these articles is positioned 45px from the bottom.

For screens wider than 61.25em, the main media area in these articles is set to a portrait grid area with a maximum width of 620px and automatic height.

All figure elements in these articles are relatively positioned with no top margin. Their inner container is absolutely positioned 15px from the top and 20px from the left, spanning the full viewport width minus 40px, with automatic height. Images inside these figures cover their containers completely.

The caption button within these figures is placed 24px from the right and 20px from the bottom.

On screens wider than 46.25em, the inner container of these figures adjusts its positioning accordingly.For Android devices, the inner figure element in feature, standard, and comment article containers is set to 680px wide with automatic height, positioned 10px from the top and left.

On both iOS and Android, the caption button within figure elements in these article containers is placed 25px from the bottom.

When the screen width is at least 61.25em, figure elements in these containers on iOS and Android adjust their width to half the viewport width minus 20px and the scrollbar width.

For standfirst elements in these article containers on iOS and Android, the top margin is removed, with 8px top padding and 10px right padding added instead. Any preceding content in standfirst is hidden.

Text elements within the standfirst inner section—including paragraphs, links, and list items—use a 20px font size, normal style, medium weight, 115% line height, and no bottom padding.

On wider screens (min-width: 61.25em), the standfirst in feature article containers for Android devices…For iOS and Android devices, the standfirst section in feature, standard, and comment article containers is assigned to the grid area named “standfirst.”

On these devices, the meta section in these article types has no top padding and displays the published date with a relative position. A thin gray line appears below the published date, spanning the full viewport width and positioned slightly to the left.

On larger screens (over 61.25em wide), the meta section becomes a block element in the “meta” grid area, and the line below the published date shortens to half the viewport width.

For even larger screens (over 81.25em wide), the miscellaneous meta content loses its left margin.

In dark mode, the line below the published date changes to a darker gray color.

Additionally, for iOS devices, the meta and keyline sections in feature, standard, and comment articles have a preceding element.For iOS and Android devices, the following styles apply to feature, standard, and comment articles:

– Hide meta and keyline elements before furniture wrappers.
– Remove rich link asides from furniture wrappers.
– Conceal cutout containers in comment headers.
– Set article and feature body backgrounds to a weekend essay color with a top margin of 6px.
– Style horizontal rules as 1px high, borderless lines with specific dimensions and spacing.
– Format the first letter of initial paragraphs (excluding those with spans or following a horizontal rule) as a large, uppercase drop cap using specified fonts and colors.
– Apply medium font weight to strong or bold text within h2 headings and prose h2 elements.

In dark mode:
– Adjust horizontal rule color to a darker shade.
– Change drop cap color for paragraphs after horizontal rules.
– Remove underlines from paragraph links.

Additionally, set the first letter after the initial atom element in article and feature bodies to medium font weight, and apply similar styling to comment body elements following atom components.Despite having no official position in the White House, Jared Kushner recently stepped into the spotlight as Donald Trump’s representative in the Middle East. While the administration celebrated brokering a Gaza ceasefire, Kushner, Trump’s son-in-law, stood in Tel Aviv’s “hostages square,” speaking to an impassioned crowd that had jeered at the mention of Israeli Prime Minister Benjamin Netanyahu and later erupted in chants of “Thank You Trump!”

“October 7 was a devastating day for me,” said Kushner, who had swapped his usual business attire for a plain black T-shirt. “Since then, my heart has been broken.” He expressed a sense of duty “to help bring the hostages home, to give their families the closure they deserve, and to end this nightmare. Also, to alleviate the suffering of the people in Gaza, most of whom are caught in this situation through no fault of their own, simply by being born into a terrible reality.”

Kushner’s diplomatic tone was striking, especially given his boss’s threats of unleashing “hell” in Gaza. Yet, the soft-spoken heir to his father’s real estate empire has quietly emerged as a key link in Trump’s Middle East efforts, using his network of regional leaders and positioning himself to profit handsomely if plans to redevelop Gaza ever materialize.

This marks a significant return to the political arena for Kushner.After the January 6 riots at the US Capitol following Trump’s loss in the 2020 elections, Jared Kushner and his wife, Ivanka Trump, largely stepped away from politics. Now, Kushner finds himself at the center of power in Washington DC, managing billions in investments through his company, Affinity Partners, including funds from Saudi Arabia and Qatar’s sovereign wealth funds.

Matt Duss, executive vice-president at the Center for International Policy, called this an “enormous conflict of interest,” describing the influence-peddling in the administration as open corruption. He added, “What’s bizarre is that the Trump organization is so deeply involved in the Middle East that the corruption might actually help sustain a ceasefire. They all stand to make so much money that there’s an incentive to stop the war.”

The administration has denied any conflict of interest in Kushner’s diplomatic work while he continues to run an investment fund with billions from Saudi Arabia, the UAE, and Qatar. White House spokesperson Karoline Leavitt defended him, saying, “It’s despicable to suggest it’s inappropriate for Jared Kushner, who is widely respected and has strong relationships with key partners, to create a detailed 20-point plan that no other administration could achieve. He’s donating his time and energy to secure world peace, which is noble.”

Kushner, born into an Orthodox Jewish family in New Jersey, had no diplomatic experience before his father, real estate developer Charles Kushner, recommended him for Trump’s first administration. He was mocked early in Trump’s first term for claiming he had “studied this for three years, read 25 books, and spoken to every leader in the region.” Now, JD Vance and other administration supporters are reposting those remarks as vindication.

When Trump returned to the White House in January, Kushner and Ivanka stayed in their $24 million Miami mansion and did not take formal roles in the transition, keeping more distance than in Trump’s first term. Many were unaware of Kushner’s central role in negotiations until he and Tony Blair attended a White House meeting in August to discuss postwar governance and redevelopment in Gaza.

Trump recently said, “I put Jared on it because he’s smart, knows the region, and the players.” In a New York Times interview, Kushner explained that he and Steve Witkoff, the president’s Middle East envoy, are “deal guys” from the New York real estate world who understand what motivates people. He contrasted this with history professors or diplomats, calling it “a different sport.”

According to U.S. officials, Trump gave Kushner and Witkoff nearly unlimited authority to secure a ceasefire. This included a closed-door meeting with Arab leaders during the UN General Assembly to test a 20-point Gaza proposal, persuading Netanyahu to apologize to Qatar’s prime minister after an Israeli airstrike in Doha, and an unprecedented meeting.The dialogue between White House officials and Hamas created the most significant opportunity to end the war in Gaza since it started in October 2023. A former U.S. diplomat noted that one of Kushner’s strengths was his unofficial status, which allowed him to operate discreetly while maintaining direct access to Trump. Through his business connections, he could bring different parties together, build trust, and help finalize the agreement.

Since Trump’s first term, diplomats and associates have observed Kushner advocating the view that the Israeli-Palestinian conflict was a major obstacle to broader reconciliation between Israel and Arab nations, particularly Gulf states like Saudi Arabia and the UAE. He believed that resolving it could unlock economic transformation in the region.

Following Netanyahu’s recent strike on Qatar, Kushner and Witkoff saw an opportunity as Arab leaders became concerned it might set a precedent for more regional attacks. As first reported by the Wall Street Journal and confirmed by U.S. officials, they drafted an apology for the Qatari prime minister, which Netanyahu delivered by phone just before he and Trump appeared together at a White House summit in late September. A U.S. official involved in the ceasefire efforts described it as a mature move that provided leverage.

Observers note that Kushner’s influence on Middle East policy has been evident since the start of Trump’s second term. One notable proposal, first suggested by Kushner at a Harvard event in 2024, was to redevelop Gaza as prime beachfront property. Critics accused Trump of promoting ethnic cleansing after he mentioned forcibly relocating Palestinians before redevelopment—an idea Kushner had previously floated.

Aaron David Miller, a former diplomat and Middle East negotiator, recalled meeting Kushner during Trump’s first term and described his pragmatic approach. Kushner dismissed historical discussions, insisting on doing things differently.

The Kushner family has had close ties with Netanyahu for decades, largely through his father, Charles Kushner, a significant donor to pro-Israel causes. Their relationship was so strong that Netanyahu once stayed at their New Jersey home, according to the New York Times. Despite this, Kushner told Miller that a key strategy in Trump’s first term was to make it impossible for any Israeli prime minister to refuse him—a principle Miller found unique among U.S. presidents he had worked with.

A U.S. official explained that Trump’s strong support for Israel enabled Kushner and Witkoff to collaborate closely with Arab leaders and even engage directly with Hamas without alienating Netanyahu’s government. Trump, Kushner, and Witkoff were seen as fully aligned with Israel, fostering trust that Trump would not make unreasonable demands.Do not do anything that would compromise its security.

Frequently Asked Questions
Of course Here is a list of FAQs about the conflict of interest in Jared Kushners Gaza ceasefire proposal written in a natural tone with clear direct answers

Basic Understanding Definitions

1 What is the main conflict of interest people are talking about
The main issue is that Jared Kushner while proposing a peace plan for Gaza has significant personal financial interests in the region through his private equity firm Affinity Partners Critics argue his proposal could benefit his own investments making his motives questionable

2 Who is Jared Kushner and why is he involved in Gaza
Jared Kushner is the soninlaw of former President Donald Trump He was a senior White House advisor and was the lead architect of the Trump administrations Middle East peace efforts including the Abraham Accords He has remained involved in the regions politics since leaving government

3 What exactly is a conflict of interest
A conflict of interest occurs when a persons personal interests could improperly influence their professional duties or public responsibilities

4 What is his company Affinity Partners doing in the region
Affinity Partners which Kushner founded after leaving the White House has raised billions of dollars including from foreign governments like Saudi Arabia The firm invests in projects across the Middle East including real estate and infrastructure which could be directly affected by a Gaza ceasefire and subsequent redevelopment

The Proposal Its Implications

5 What are the key points of Kushners Gaza ceasefire proposal
While the full details arent public reports suggest his plan involves the forced permanent relocation of Palestinians from Gaza with the strips valuable coastline and land being redeveloped He has suggested Israel should clean up the area

6 How could his proposal benefit him financially
If Gazas coastline is redeveloped into luxury hotels and resorts his investment firm would be in a prime position to finance and profit from those projects given its focus and connections in the region

7 Didnt he get money from Saudi Arabia How is that relevant
Yes a major investor in his fund is Saudi Arabias Public Investment Fund This is relevant because Saudi Arabia is a key player in Middle East politics and normalization with Israel A Gaza plan that aligns with Saudi and Israeli interests could also benefit their

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