This CSS code defines a custom font family called “Guardian Headline Full” with multiple font weights and styles. It includes light, regular, medium, and semibold weights, each in both normal and italic versions. The font files are provided in WOFF2, WOFF, and TrueType formats, hosted on the Guardian’s servers.@font-face {
font-family: Guardian Headline Full;
src: url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Bold.woff2) format(“woff2”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Bold.woff) format(“woff”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Bold.ttf) format(“truetype”);
font-weight: 700;
font-style: normal;
}
@font-face {
font-family: Guardian Headline Full;
src: url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BoldItalic.woff2) format(“woff2”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BoldItalic.woff) format(“woff”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BoldItalic.ttf) format(“truetype”);
font-weight: 700;
font-style: italic;
}
@font-face {
font-family: Guardian Headline Full;
src: url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Black.woff2) format(“woff2”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Black.woff) format(“woff”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Black.ttf) format(“truetype”);
font-weight: 900;
font-style: normal;
}
@font-face {
font-family: Guardian Headline Full;
src: url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BlackItalic.woff2) format(“woff2”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BlackItalic.woff) format(“woff”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BlackItalic.ttf) format(“truetype”);
font-weight: 900;
font-style: italic;
}
@font-face {
font-family: Guardian Titlepiece;
src: url(https://assets.guim.co.uk/static/frontend/fonts/guardian-titlepiece/noalts-not-hinted/GTGuardianTitlepiece-Bold.woff2) format(“woff2”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-titlepiece/noalts-not-hinted/GTGuardianTitlepiece-Bold.woff) format(“woff”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-titlepiece/noalts-not-hinted/GTGuardianTitlepiece-Bold.ttf) format(“truetype”);
font-weight: 700;
font-style: normal;
}
@font-face {
font-family: Guardian Headline Full;
src: url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Light.woff2) format(“woff2”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Light.woff) format(“woff”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Light.ttf) format(“truetype”);
font-weight: 300;
font-style: normal;
}
@font-face {
font-family: Guardian Headline Full;
src: url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-LightItalic.woff2) format(“woff2”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-LightItalic.woff) format(“woff”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-LightItalic.ttf) format(“truetype”);
font-weight: 300;
font-style: italic;
}
@font-face {
font-family: Guardian Headline Full;
src: url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Regular.woff2) format(“woff2”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Regular.woff) format(“woff”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Regular.ttf) format(“truetype”);
font-weight: 400;
font-style: normal;
}
@font-face {
font-family: Guardian Headline Full;
src: url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-RegularItalic.woff2) format(“woff2”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-RegularItalic.woff) format(“woff”),
url(https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-RegularItalic.ttf) format(“truetype”);
font-weight: 400;
font-style: italic;
}The text appears to be a snippet of CSS code defining custom web fonts. Here is a rewritten version in fluent, natural English:
This CSS code defines a series of font faces for the “Guardian Headline Full” font family. Each entry specifies the font’s weight and style (like regular, italic, medium, bold, etc.) and provides multiple file formats (WOFF2, WOFF, and TTF) for browser compatibility. The font files are hosted at specific URLs from the Guardian’s assets domain.The provided text appears to be a mix of CSS font definitions and responsive grid layout rules for a website, likely The Guardian. Here is a fluent, natural English rewrite that keeps the meaning intact and simplifies complex phrases:
The CSS code defines two custom fonts for the website: “Guardian Headline” in a heavy black italic style and “Guardian Titlepiece” in a bold normal style. It specifies where to find the font files in different formats.
The code then sets up a responsive grid layout for the main article content. On the smallest screens, the layout is a single column with areas stacked vertically for media, title, headline, and other elements.
As the screen gets wider, the layout adjusts:
* At a medium width, the grid remains a single column but reorders some areas, moving the media section.
* At a wider breakpoint, the layout splits into two main columns: a wider one for the article body and a narrower right-hand column.
* On the largest screens, the layout becomes more complex, adding a thin border column and adjusting the placement of the title and headline areas. It also removes extra padding below the article summary (standfirst) and adjusts caption styling for immersive images at certain screen sizes.For interactive grid figures with immersive captions, set the padding to 4 pixels at the top and 0 elsewhere. Within the article, interactive content, comment, and feature bodies, position the lines and meta elements in the grid from row 2, column 1 to row 5, column 2. Adjust the height of lines to fit content and add a 5px top margin, while meta elements get an 18px top margin.
On larger screens, set the grid columns to specific widths: 219px, 1px, 620px, 80px, and 300px.
For iOS and Android devices, style article headers with a specific font family and weight for standfirst paragraphs. Display the article kicker section as a block and capitalize its first letter. Adjust keyline padding to 12px. Style byline authors with a bold font and ensure links are also bold. Make figure images adjust their height automatically and remove top margin for paragraphs following atomic elements.
Define the Guardian Headline Full font with light and light italic weights, specifying the source files for woff2, woff, and truetype formats.The provided text appears to be a series of CSS font-face rules for a font family named “Guardian Headline Full.” These rules define different font weights and styles (like regular, italic, medium, bold) and specify the web addresses (URLs) where the actual font files (in formats like WOFF2, WOFF, and TTF) can be found for the browser to download and use.@font-face {
font-family: ‘Guardian Headline Full’;
src: url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Black.woff2’) format(‘woff2’),
url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Black.woff’) format(‘woff’),
url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-Black.ttf’) format(‘truetype’);
font-weight: 900;
font-style: normal;
}
@font-face {
font-family: ‘Guardian Headline Full’;
src: url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BlackItalic.woff2’) format(‘woff2’),
url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BlackItalic.woff’) format(‘woff’),
url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-headline/noalts-not-hinted/GHGuardianHeadline-BlackItalic.ttf’) format(‘truetype’);
font-weight: 900;
font-style: italic;
}
@font-face {
font-family: ‘Guardian Titlepiece’;
src: url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-titlepiece/noalts-not-hinted/GTGuardianTitlepiece-Bold.woff2’) format(‘woff2’),
url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-titlepiece/noalts-not-hinted/GTGuardianTitlepiece-Bold.woff’) format(‘woff’),
url(‘https://assets.guim.co.uk/static/frontend/fonts/guardian-titlepiece/noalts-not-hinted/GTGuardianTitlepiece-Bold.ttf’) format(‘truetype’);
font-weight: 700;
font-style: normal;
}
@media (min-width: 71.25em) {
.content__main-column–interactive {
margin-left: 160px;
}
}
@media (min-width: 81.25em) {
.content__main-column–interactive {
margin-left: 240px;
}
}
.content__main-column–interactive .element-atom {
max-width: 620px;
}
@media (max-width: 46.24em) {
.content__main-column–interactive .element-atom {
max-width: 100%;
}
}
.content__main-column–interactive .element-showcase {
margin-left: 0;
}
@media (min-width: 46.25em) {
.content__main-column–interactive .element-showcase {
max-width: 620px;
}
}
@media (min-width: 71.25em) {
.content__main-column–interactive .element-showcase {
max-width: 860px;
}
}
.content__main-column–interactive .element-immersive {
max-width: 1100px;
}
@media (max-width: 46.24em) {
.content__main-column–interactive .element-immersive {
width: calc(100vw – var(–scrollbar-width, 0px));
position: relative;
left: 50%;
right: 50%;
margin-left: calc(-50vw + var(–half-scrollbar-width, 0px)) !important;
margin-right: calc(-50vw + var(–half-scrollbar-width, 0px)) !important;
}
}
@media (min-width: 46.25em) {
.content__main-column–interactive .element-immersive {
transform: translate(-20px);
width: calc(100% + 60px);
}
}
@media (max-width: 71.24em) {
.content__main-column–interactive .element-immersive {
margin-left: 0;
margin-right: 0;
}
}
@media (min-width: 71.25em) {
.content__main-column–interactive .element-immersive {
transform: translate(0);
width: auto;
}
}
@media (min-width: 81.25em) {
.content__main-column–interactive .element-immersive {
max-width: 1260px;
}
}
.content__main-column–interactive p,
.content__main-column–interactive ul {
max-width: 620px;
}
.content__main-column–interactive:before {
position: absolute;
top: 0;
height: calc(100% + 15px);
min-height: 100px;
content: “”;
}
@media (min-width: 71.25em) {
.content__main-column–interactive:before {
border-left: 1px solid #dcdcdc;
z-index: -1;
left: -10px;
}
}
@media (min-width: 81.25em) {
.content__main-column–interactive:before {
border-left: 1px solid #dcdcdc;
left: -11px;
}
}
.content__main-column–interactive .element-atom {
margin-top: 0;
margin-bottom: 0;
padding-bottom: 12px;
padding-top: 12px;
}
.content__main-column–interactive p + .element-atom {
padding-top: 0;
padding-bottom: 0;
margin-top: 12px;
margin-bottom: 12px;
}
.content__main-column–interactive .element-inline {
max-width: 620px;
}
@media (min-width: 61.25em) {
figure[data-spacefinder-role=”inline”].element {
max-width: 620px;
}
}
:root {
–dateline: #606060;
–headerBorder: #dcdcdc;
–captionText: #999;
–captionBackground: hsla(0, 0%, 7%, 0.72);
–feature: #c70000;
–new-pillar-colour: var(–primary-pillar, var(–feature));
}
.content__main-column–interactive .element.element-atom,
.element.element-atom {
padding: 0;
}
#article-body > div .element-atom:first-of-type + p:first-of-type,
#article-body > div .element-atom:first-of-type {The first paragraph after specific elements like an atom, sign-in gate, or horizontal rule gets a top padding of 14 pixels.
The first letter of that paragraph is styled with a large, bold, uppercase drop cap using specific fonts, a size of 111px, a line height of 92px, and a color variable. It floats to the left with an 8px margin.
Paragraphs following a horizontal rule have no top padding.
Elements with the attribute `data-gu-name=”pullquote”` have a maximum width of 620 pixels.
Captions for showcase elements are positioned statically with a full width, also capped at 620 pixels.
Immersive elements span the full viewport width, minus the scrollbar. On screens smaller than 71.24em, their maximum width is 978 pixels, and their captions have inline padding.@media (max-width: 71.24em) and (min-width: 30em) {
.element.element–immersive.element-immersive figcaption {
padding-inline: 20px;
}
}
@media (min-width: 46.25em) and (max-width: 61.24em) {
.element.element–immersive.element-immersive {
max-width: 738px;
}
}
@media (max-width: 46.24em) {
.element.element–immersive.element-immersive {
margin-left: -10px !important;
margin-right: 0 !important;
left: 0;
}
}
@media (max-width: 46.24em) and (min-width: 30em) {
.element.element–immersive.element-immersive {
margin-left: -20px !important;
}
.element.element–immersive.element-immersive figcaption {
padding-inline: 20px;
}
}
@media (min-width: 61.25em) {
.furniture-wrapper {
display: grid;
grid-column-gap: 20px;
grid-row-gap: 0px;
grid-template-columns: [title-start headline-start meta-start standfirst-start] repeat(5, 1fr) [title-end headline-end meta-end standfirst-end portrait-start] repeat(5, 1fr) [portrait-end];
grid-template-rows: [title-start portrait-start] .25fr [title-end headline-start] 1fr [headline-end standfirst-start] .75fr [standfirst-end meta-start] auto [meta-end portrait-end];
}
.furniture-wrapper #headline > div:first-child,
.furniture-wrapper [data-gu-name=headline] > div:first-child,
.furniture-wrapper .headline > div:first-child {
border-top: 1px solid var(–headerBorder);
}
.furniture-wrapper #meta,
.furniture-wrapper [data-gu-name=meta] {
position: relative;
padding-top: 2px;
margin-right: 0;
}
.furniture-wrapper .standfirst .content__standfirst,
.furniture-wrapper #standfirst .content__standfirst,
.furniture-wrapper [data-gu-name=standfirst] .content__standfirst {
margin-bottom: 4px;
}
.furniture-wrapper .standfirst ul li,
.furniture-wrapper #standfirst ul li,
.furniture-wrapper [data-gu-name=standfirst] ul li {
font-size: 20px;
}
.furniture-wrapper .standfirst li a,
.furniture-wrapper .standfirst a,
.furniture-wrapper #standfirst li a,
.furniture-wrapper #standfirst a,
.furniture-wrapper [data-gu-name=standfirst] li a,
.furniture-wrapper [data-gu-name=standfirst] a {
border-bottom: none;
background-image: none !important;
text-decoration: underline;
text-underline-offset: 6px;
text-decoration-color: var(–headerBorder, #dcdcdc);
}
.furniture-wrapper .standfirst li a:hover,
.furniture-wrapper .standfirst a:hover,
.furniture-wrapper #standfirst li a:hover,
.furniture-wrapper #standfirst a:hover,
.furniture-wrapper [data-gu-name=standfirst] li a:hover,
.furniture-wrapper [data-gu-name=standfirst] a:hover {
text-decoration-color: var(–new-pillar-colour);
}
.furniture-wrapper .standfirst p:first-of-type,
.furniture-wrapper #standfirst p:first-of-type,
.furniture-wrapper [data-gu-name=standfirst] p:first-of-type {
border-top: 1px solid var(–headerBorder);
padding-bottom: 0;
}
}
@media (min-width: 61.25em) and (min-width: 71.25em) {
.furniture-wrapper .standfirst p:first-of-type,
.furniture-wrapper #standfirst p:first-of-type,
.furniture-wrapper [data-gu-name=standfirst] p:first-of-type {
border-top: unset;
}
}
@media (min-width: 61.25em) {
.furniture-wrapper figure {
margin: 0 0 0 -10px;
}
.furniture-wrapper figure[data-spacefinder-role=inline].element {
max-width: 630px;
}
}
@media (min-width: 71.25em) {
.furniture-wrapper {
grid-template-columns: [title-start headline-start meta-start] repeat(2, 1fr) [meta-end standfirst-start] repeat(5, 1fr) [title-end headline-end standfirst-end portrait-start] repeat(7, 1fr) [portrait-end];
grid-template-rows: [title-start portrait-start] 80px [title-end headline-start] auto [headline-end standfirst-start meta-start] auto [standfirst-end meta-end portrait-end];
}
.furniture-wrapper #meta:before,
.furniture-wrapper [data-gu-name=meta]:before {
content: “”;
width: 540px;
position: absolute;
top: 0;
background-color: var(–headerBorder);
height: 1px;
}
.furniture-wrapper .standfirst p,
.furniture-wrapper #standfirst p,
.furniture-wrapper [data-gu-name=standfirst] p {
border-top: unset;
}
.furniture-wrapper .standfirst:before,
.furniture-wrapper #standfirst:before,
.furniture-wrapper [data-gu-name=standfirst]:before {
content: “”;
width: 1px;
background-color: var(–headerBorder);
height: 100%;
position: absolute;
top: 0;
left: .5px;
}
}
@media (min-width: 81.25em) {
.furniture-wrapper {
grid-template-columns: [title-start headline-start meta-start] repeat(3, 1fr) [meta-end standfirst-start];
}
}The grid layout uses five equal-width columns for the title, headline, and standfirst sections, followed by eight equal-width columns for the portrait section. The rows are defined with specific starting and ending points for each section.
For the meta and standfirst sections, certain elements have a fixed width or positioning. Labels within the title area have a small top padding.
The main headline uses a semi-bold font with a maximum width and specific font size, which adjusts on larger screens. Some decorative lines are hidden on medium to large screens and use a custom border color.
Social and comment elements in the meta section share the same border color, and certain interactive components are hidden. The standfirst section has adjusted margins and padding, with paragraph text using a regular font weight and specific sizing.
The main media area is positioned within the grid, with full-width containers and adjusted margins on smaller screens. Captions are absolutely positioned at the bottom with custom styling, and a caption toggle button is provided for interaction.
On very large screens, the main content column has adjusted spacing.The main column for interactive content has a maximum width of 620 pixels for h2 headings. For iOS and Android devices, the color scheme uses a dark background and specific accent colors. In dark mode, the accent color adjusts to a different shade.
On iOS and Android, the first letter of the first paragraph in article containers is styled with a secondary color. The article header height is set to zero, and the furniture wrapper has specific padding. Labels within the furniture wrapper use a bold, capitalized font with the accent color, while the main headline is large, bold, and dark gray.For iOS and Android devices, the furniture-wrapper figure.element-image within feature, standard, and comment article containers is positioned relatively. It has a top margin of 14px, a left margin of -10px, and a width equal to the viewport width minus the scrollbar width, with an automatic height.
Inside these elements, the .figure__inner, img, and a tags have a transparent background. Their width is also the viewport width minus the scrollbar width, with an automatic height that is set as important.
The .standfirst element within the same containers has a top padding of 4px, bottom padding of 24px, and a right margin of -10px.
Paragraphs within .standfirst__inner use the font family: Guardian Headline, Guardian Egyptian Web, Guardian Headline Full, Georgia, serif.
Links and list item links within .standfirst__inner are also styled accordingly.For comment articles, links within the standfirst section should use the site’s main color, have an underline with a specific offset and color, and no background image or bottom border. On iOS and Android devices, when hovering over these links in feature, standard, or comment articles, the underline color should change to the main color. Also, on these devices, the metadata section should have no margin, the author and byline text should use the main color, and the miscellaneous metadata area should have no padding.For iOS and Android devices, the following CSS rules apply across feature, standard, and comment article containers:
– SVG icons within the meta miscellaneous section use the new pillar color for their stroke.
– The caption button in showcase elements is displayed as a flex container, centered with 5px padding, 28px width and height, and positioned 14px from the right.
– The article body has 12px padding on the left and right.
– Non-thumbnail, non-immersive image figures within the article body have no margin, a width calculated as the viewport width minus 24px and the scrollbar width, and an automatic height. Their captions have no padding.
– Immersive image figures have a width calculated as the viewport width minus the scrollbar width.
– Quoted blockquotes within the article body’s prose have a `:before` pseudo-element applied.For quoted blockquotes in the article body on iOS and Android, the color before the quote uses the new pillar color.
On iOS and Android, links within the article body for feature, standard, and comment articles are styled with the primary pillar color. They have an underline with an offset of 6px, using the header border color for the underline. On hover, the underline color changes to the new pillar color.
In dark mode, the furniture wrapper background for these article types on iOS and Android changes to #1a1a1a. Within it, content labels use the new pillar color, headlines have no background and use the header border color for text, standfirst paragraphs use the header border color, and standfirst links, byline authors, and author links also use the header border color.This appears to be CSS code for styling web pages on Android and iOS devices. The CSS sets colors for various elements like author bylines, icons, image captions, and blockquotes using custom color variables. It also applies a dark background to article content containers. The code targets specific article types (feature, standard, comment) across both mobile operating systems.This appears to be a CSS selector targeting the first letter of paragraphs in specific containers on iOS and Android devices. The selector applies to various article containers (feature, standard, comment) and looks for paragraphs following certain elements like `.element-atom`, `.sign-in-gate`, or `#sign-in-gate`.For Android and iOS devices, the first letter of paragraphs following specific elements in various article containers will be styled with a custom color variable, defaulting to white.For comment articles on Android with the Garnett design, the standfirst section has a top padding of 24 pixels and no top margin. The main text uses a font size of 24 pixels for second-level headings.
On iOS, the caption button in article containers has specific padding, while on Android, it uses slightly different padding.
In dark mode, when the system preference is set to dark and a light theme isn’t forced, several color variables are defined for text, icons, and links to ensure proper contrast and theming.
When the page includes a Guardian organization logo, the branding component is always displayed.
On both iOS and Android, various text elements like labels, headlines, and standfirst paragraphs use a medium font weight.
For a specific “weekend essay” theme, the page background and related sections use a light pink color (#fff4f2).
A decorative element with lines is hidden.
The main page wrapper is positioned relatively. On larger screens, it uses a specific grid layout.
The article header has a fixed height and contains labels. A decorative animated book image is positioned in the bottom-right corner of this header, with its size increasing on larger screens.
A horizontal line is added below the labels, extending across the viewport. On medium and larger screens, this line’s width and position are adjusted.For screens with a minimum width of 61.25em, the furniture wrapper hides the pseudo-elements after the content labels within the article header and title sections. When the screen reaches at least 71.25em, the article header and title areas adjust to a height of 80px. This height increases to 125px at 81.25em. At this same breakpoint, the headline, its data attribute counterpart, and the headline class receive a top margin of -2px.
Within the furniture wrapper, the headline elements have their bottom padding removed. The portrait main media headline wrapper is set to full height, positioned relatively, with hidden overflow and a bottom padding of 24px. The h1 and anchor tags inside this wrapper have their maximum width unrestricted. On hover, these links and headings get a 2px thick underline, offset by 6px.
The text within this wrapper—including h1, links, and byline spans—uses a 115% line height, a medium font weight (500), and a 36px font size. This font size increases to 50px on screens wider than 71.25em.
The standfirst section is positioned relatively with a 4px top padding. This padding is removed at 61.25em and then set to 2px at 71.25em.
Inside the meta section, the branding component is displayed as a block element..furniture-wrapper [data-gu-name=media] {
position: relative;
}
@media (min-width: 61.25em) {
.furniture-wrapper #main-media,
.furniture-wrapper [data-gu-name=media] {
grid-area: portrait;
}
}
.furniture-wrapper #main-media > div,
.furniture-wrapper [data-gu-name=media] > div {
position: relative;
}
.furniture-wrapper #main-media div + span,
.furniture-wrapper [data-gu-name=media] div + span {
display: block;
}
.furniture-wrapper #main-media figure,
.furniture-wrapper [data-gu-name=media] figure {
height: 100%;
margin-left: 10px;
}
.furniture-wrapper #main-media figure picture img,
.furniture-wrapper #main-media figure figcaption,
.furniture-wrapper [data-gu-name=media] figure picture img,
.furniture-wrapper [data-gu-name=media] figure figcaption {
width: calc(100vw – 40px – var(–scrollbar-width, 0px));
height: auto;
margin-left: 10px;
padding: 10px 0;
}
.furniture-wrapper #main-media figure figcaption,
.furniture-wrapper [data-gu-name=media] figure figcaption {
margin-bottom: 10px;
padding: 10px;
}
.furniture-wrapper #main-media figure:before,
.furniture-wrapper [data-gu-name=media] figure:before {
content: “”;
display: block;
width: calc(100vw – 20px – var(–scrollbar-width, 0px));
background-image: url(https://interactive.guim.co.uk/atoms/2025/04/2025-weekend-essay-test/assets/v/1764331689/frame.png);
background-size: contain;
background-position: center;
background-repeat: no-repeat;
position: absolute;
top: 0;
left: 10px;
height: inherit;
}
@media (min-width: 46.25em) {
.furniture-wrapper #main-media figure,
.furniture-wrapper [data-gu-name=media] figure {
margin-left: 0;
}
.furniture-wrapper #main-media figure picture img,
.furniture-wrapper [data-gu-name=media] figure picture img {
width: 670px;
height: auto;
margin-left: 5px;
padding: 15px 10px;
}
.furniture-wrapper #main-media figure:before,
.furniture-wrapper [data-gu-name=media] figure:before {
width: 700px;
left: -10px;
}
.furniture-wrapper #main-media figure figcaption,
.furniture-wrapper [data-gu-name=media] figure figcaption {
width: 650px;
margin-left: 15px;
margin-bottom: 15px;
padding: 15px 10px;
}
}
@media (min-width: 61.25em) {
.furniture-wrapper #main-media figure:before,
.furniture-wrapper [data-gu-name=media] figure:before {
width: 470px;
}
.furniture-wrapper #main-media figure picture img,
.furniture-wrapper #main-media figure figcaption,
.furniture-wrapper [data-gu-name=media] figure picture img,
.furniture-wrapper [data-gu-name=media] figure figcaption {
width: 450px;
margin-left: 0;
}
.furniture-wrapper #main-media figure picture img,
.furniture-wrapper [data-gu-name=media] figure picture img {
padding: 10px 0;
}
.furniture-wrapper #main-media figure figcaption,
.furniture-wrapper [data-gu-name=media] figure figcaption {
margin-bottom: 10px;
}
}
@media (min-width: 71.25em) {
.furniture-wrapper #main-media figure:before,
.furniture-wrapper [data-gu-name=media] figure:before {
width: 550px;
}
.furniture-wrapper #main-media figure picture img,
.furniture-wrapper [data-gu-name=media] figure picture img {
width: 520px;
margin-left: 5px;
padding: 10px 5px;
}
.furniture-wrapper #main-media figure figcaption,
.furniture-wrapper [data-gu-name=media] figure figcaption {
width: 510px;
margin-left: 10px;
margin-bottom: 10px;
}
}
@media (min-width: 81.25em) {
.furniture-wrapper #main-media figure:before,
.furniture-wrapper [data-gu-name=media] figure:before {
width: 630px;
}
.furniture-wrapper #main-media figure picture img,
.furniture-wrapper [data-gu-name=media] figure picture img {
width: 600px;
padding: 15px 0;
}
.furniture-wrapper #main-media figure figcaption,
.furniture-wrapper [data-gu-name=media] figure figcaption {
width: 600px;
margin-left: 5px;
margin-bottom: 15px;
}
}
.furniture-wrapper #main-media #caption-button,
.furniture-wrapper [data-gu-name=media] #caption-button {
right: 15px;
bottom: 20px;
}
@media (min-width: 46.25em) {
.furniture-wrapper #main-media #caption-button,
.furniture-wrapper [data-gu-name=media] #caption-button {
right: 45px;
bottom: 30px;
}
}
@media (min-width: 61.25em) {
.furniture-wrapper #main-media #caption-button,
.furniture-wrapper [data-gu-name=media] #caption-button {
right: 15px;
bottom: 20px;
}
}
@media (min-width: 71.25em) {
.furniture-wrapper #main-media #caption-button,
.furniture-wrapper [data-gu-name=media] #caption-button {
right: 20px;
}
}
@media (min-width: 81.25em) {
.furniture-wrap
}For the main media caption button and furniture wrapper with media data, the button is positioned 30px from the bottom. When there’s no media, a centered div displays a bold, underlined, 24px text in a specific color.
On larger screens, the interactive main column aligns to the left without a preceding element. Supporting content with blockquotes uses a light background. The first letter of the opening paragraph is styled with a light font weight, while drop caps in specific contexts are large, uppercase, and colored.
Headings at level 2 are orange, with larger sizes on wider screens, and bold when containing strong text. Figures with iframes also have a light background.
In app environments, follow buttons appear below bylines with smaller text, and media elements adjust their width. For dark mode, the background colors for article sections and weekend essays switch to a dark gray.[data-app-os=android] .furniture-wrapper .article-header:after,
[data-app-os=android] .furniture-wrapper [data-gu-name=title] .content__labels:after {
background-image: url(https://interactive.guim.co.uk/atoms/2025/04/2025-weekend-essay-test/assets/v/1764331689/book-white.gif)
}
[data-rendering-target=apps] .furniture-wrapper .meta__byline gu-island[name=FollowWrapper] svg path,
[data-rendering-target=apps] .furniture-wrapper [data-component=meta-byline] gu-island[name=FollowWrapper] svg path,
[data-app-os=ios] .furniture-wrapper .meta__byline gu-island[name=FollowWrapper] svg path,
[data-app-os=ios] .furniture-wrapper [data-component=meta-byline] gu-island[name=FollowWrapper] svg path,
[data-app-os=android] .furniture-wrapper .meta__byline gu-island[name=FollowWrapper] svg path,
[data-app-os=android] .furniture-wrapper [data-component=meta-byline] gu-island[name=FollowWrapper] svg path {
fill: var(–byline-anchor, #ffffff) !important
}
[data-rendering-target=apps] .furniture-wrapper #main-media figure:before,
[data-rendering-target=apps] .furniture-wrapper [data-gu-name=media] figure:before,
[data-app-os=ios] .furniture-wrapper #main-media figure:before,
[data-app-os=ios] .furniture-wrapper [data-gu-name=media] figure:before,
[data-app-os=android] .furniture-wrapper #main-media figure:before,
[data-app-os=android] .furniture-wrapper [data-gu-name=media] figure:before {
background-image: url(https://interactive.guim.co.uk/atoms/2025/04/2025-weekend-essay-test/assets/v/1764331689/frame-white.png) !important
}
body.ios,
body.android {
background-color: #fff
}
body.ios #feature-article-container .furniture-wrapper .content__labels,
body.ios #standard-article-container .furniture-wrapper .content__labels,
body.ios #comment-article-container .furniture-wrapper .content__labels,
body.android #feature-article-container .furniture-wrapper .content__labels,
body.android #standard-article-container .furniture-wrapper .content__labels,
body.android #comment-article-container .furniture-wrapper .content__labels,
body.ios #feature-article-container .furniture-wrapper h1.headline,
body.ios #standard-article-container .furniture-wrapper h1.headline,
body.ios #comment-article-container .furniture-wrapper h1.headline,
body.android #feature-article-container .furniture-wrapper h1.headline,
body.android #standard-article-container .furniture-wrapper h1.headline,
body.android #comment-article-container .furniture-wrapper h1.headline {
font-weight: 500
}
@media (prefers-color-scheme: light) {
html:has(body.ios, body.android) {
background-color: var(–weekend-essay-bg, #fff4f2)
}
}
html:has(body.ios, body.android) body.ios,
html:has(body.ios, body.android) body.android {
–opinion-primary: #c74600;
–byline-anchor: var(–opinion-primary, #c74600);
–primary-pillar: var(–opinion-primary, #c74600)
}
@media (prefers-color-scheme: light) {
html:has(body.ios, body.android) body.ios,
html:has(body.ios, body.android) body.android {
background-color: var(–weekend-essay-bg, #fff4f2)
}
}
@media (prefers-color-scheme: dark) {
html:has(body.ios, body.android) body.ios,
html:has(body.ios, body.android) body.android {
–weekend-essay-bg: #1a1a1a;
–opinion-primary: #ff7f0f
}
html:has(body.ios, body.android) .garnett–pillar-opinion:not(.garnett–type-media).ios .article__body,
html:has(body.ios, body.android) .garnett–pillar-opinion:not(.garnett–type-media).ios .tags {
background-color: unset
}
}
body.ios #feature-article-container,
body.ios #standard-article-container,
body.ios #comment-article-container,
body.android #feature-article-container,
body.android #standard-article-container,
body.android #comment-article-container {
background-color: var(–weekend-essay-bg, #fff4f2)
}
@media (min-width: 61.25em) {
body.ios #feature-article-container .furniture-wrapper,
body.ios #standard-article-container .furniture-wrapper,
body.ios #comment-article-container .furniture-wrapper,
body.android #feature-article-container .furniture-wrapper,
body.android #standard-article-container .furniture-wrapper,
body.android #comment-article-container .furniture-wrapper {
grid-column-gap: 20px;
grid-row-gap: 0px;
grid-template-columns: [title-start headline-start meta-start standfirst-s
}
}The grid is set up with five equal-width columns, starting from the title and ending at the portrait. The rows are defined with specific fractions and auto heights for different sections like the title, headline, standfirst, meta, and portrait.
On iOS and Android devices, for feature, standard, and comment articles, the title and GIF wrapper uses flexbox to arrange items in a row with space between them, positioned relatively.
Within this wrapper, content labels have a font size of 17px, normal style, bold weight, and 115% line height. Links inside these labels are colored with a custom variable (defaulting to #c74600) and have no text transformation.
The GIF container and its images are set to 70px in both width and height. If the container or image has the class “book-gif-white,” the same dimensions apply.For Android devices, hide the white book GIFs in feature, standard, and comment article containers. In dark mode, hide the regular book GIFs and show the white versions instead on both iOS and Android. On iOS and Android, add a light gray horizontal line at the bottom of the title and GIF wrapper in these article containers. For larger screens, adjust the layout of the title and GIF wrapper in iOS feature and standard articles.The title and GIF wrapper for furniture sections is set to the grid area named “title” across various article containers on iOS and Android. For iOS devices, after this wrapper in feature, standard, and comment articles, the width is set to 50 viewport width units.
In dark mode, the background color after these wrappers changes to #606060 for the same article types on both iOS and Android.
On larger screens (61.25em and above), the portrait main media headline wrapper within furniture sections is assigned to the “headline” grid area for feature, standard, and comment articles on iOS and Android.
For headlines, bylines, and byline links within furniture sections of feature, standard, and comment articles on iOS and Android, the font size is 36px with normal style, medium weight (500), and 115% line height.For feature, standard, and comment articles on iOS and Android devices, the byline text and links are set to a red color (#c70000) or a custom variable. In dark mode, this changes to a darker orange (#c74600). Avatars are hidden in these sections. Headlines have no bottom margin or padding. Bylines are displayed in italics.For iOS and Android devices, the author’s byline in feature, standard, and comment articles should be displayed in a normal font style, not italicized.
In these same article types, the main media container should have an automatic height, a 4:5 aspect ratio, and a transparent background. Any figure elements within this container should take up the full height and have no left margin.
Inside these figures, the inner containers should be positioned normally at the top-left, with a transparent background, no padding, and visible overflow.
For images within these figure elements, the width should be the full viewport width minus 40 pixels, with a left margin of 20 pixels and a top margin of 25 pixels.The CSS code sets specific styles for images and captions within article containers on iOS and Android devices. Images receive a top margin of 13 pixels, while captions are set to an automatic height. Caption text is displayed as a block, with no maximum height, positioned relatively, and colored using a custom property for caption text. On larger screens, the figures are allowed to expand beyond typical width limits, and a pseudo-element is positioned 10 pixels from the left with a calculated width.For iOS and Android devices, the image width within article containers is set to the full viewport width minus 60 pixels, with a left margin of 30 pixels and a top margin of 40 pixels.
On larger screens (61.25em and above), the width adjusts to half the viewport width minus 40 pixels and the scrollbar width, with a left margin of 18 pixels and a top margin of 10 pixels. The image height is set to auto, and padding is removed.
For even larger screens (71.25em and above), the positioning is fine-tuned with a top offset of -4 pixels.
On the largest screens (81.25em and above), the left margin is set to -20 pixels, and the image width becomes half the viewport width minus 90 pixels and the scrollbar width. The left margin is 12 pixels, the top margin is -10 pixels, and a top padding of 21 pixels is added.
In dark mode, additional styling is applied.For iOS and Android devices, apply a background image to specific figure elements within article containers. For the first image in these figures, adjust the width and positioning on various screen sizes. On larger screens, modify the image width, margins, and padding accordingly.For the main media figure element that is the first image, set the height to 100% and the maximum width to 620px as important.
On iOS and Android devices, for feature, standard, and comment article containers, before the main media figure element that is the first image, set the width to half the viewport width minus 20px and the scrollbar width, align it to the left, and set the height to 100%.
For viewports at least 81.25em wide, adjust the left position of this pseudo-element to -20px.
For viewports at least 46.25em wide, position the caption button 45px from the bottom.
For viewports at least 61.25em wide, set the main media area to portrait, limit its maximum width to 620px as important, and allow the height to adjust automatically.
For figure elements within these containers on iOS and Android, set the position to relative and remove the top margin.
For the inner figure element, position it absolutely 15px from the top and 20px from the left, with a width equal to the viewport width minus 40px, and an automatic height.
For images within this inner figure element, ensure they display correctly.Images within figure elements are set to cover their containers fully. On iOS and Android devices, caption buttons in article containers are positioned 24px from the right and 20px from the bottom.
For screens wider than 46.25em, the inner figure area adjusts to 680px wide with automatic height, positioned 10px from the top and left, while caption buttons move to 25px from the bottom.
On screens wider than 61.25em, figure elements themselves take up half the viewport width minus 20px and any scrollbar width.
Standfirst sections in these article containers have no top margin, 8px top padding, and 10px right padding, with their before pseudo-elements hidden. Paragraphs, links, and list items within the standfirst inner container maintain consistent styling.For Android devices, links, list items, and paragraphs within the standfirst section of feature, standard, and comment articles are styled with a 20px font, normal style, medium weight, 115% line height, and no bottom padding.
On screens wider than 61.25em, the standfirst section for these article types on both iOS and Android is placed in a grid area named ‘standfirst’.
For all these article types on iOS and Android, the meta section has its top padding removed. The published date within the meta section is positioned relatively. A thin gray line is added below this date, extending the full viewport width and positioned at the bottom left.
On wider screens (over 61.25em), the meta section itself is placed in a grid area named ‘meta’ and displayed as a block. The line below the published date then only extends half the viewport width.
On even wider screens (over 81.25em), the miscellaneous meta information section is styled for these article types on both iOS and Android.For iOS and Android devices, the following styles apply:
– The left margin for `.meta .meta__misc` is removed.
– In dark mode, the background color after the published date in article containers is set to #606060.
– The `:before` pseudo-elements for `.meta` and `.keyline` are hidden.
– Rich link elements are hidden.
– The cutout container in comment headers is hidden.
– The article body background uses a custom variable for weekend essay background, defaulting to #fff4f2, with a top margin of 6px.
– Horizontal rules are styled with a height of 1px, no border, specific margins, a background color of #dcdcdc, a width of 150px, and left alignment.
– The first letter of the first paragraph (or the paragraph after a horizontal rule) is styled with specific font properties, size, line height, float, text transformation, box sizing, margin, vertical alignment, and color using custom variables.
– Headings (h2) containing strong or bold text have a font weight of 500.
These styles are applied to feature, standard, and comment article containers.When the color scheme is set to dark mode, horizontal rules within article or feature bodies on iOS and Android devices will have a background color of #606060. Additionally, the first letter of the first paragraph following a horizontal rule in these sections will be colored using a custom property (–new-pillar-colour), defaulting to #ff5943. Links within paragraphs in these areas will have no text decoration.
On iOS and Android, the first letter of the first paragraph following the initial atomic element in an article or feature body will have a font weight of 500.
For comment sections or elements with the attribute `data-gu-name=”body”`, the first letter of the first paragraph after an atomic element (or after sign-in gates) will have a font weight of 300 and no top padding.
Headings (h2) on iOS and Android will be colored #8d2700, with a font size of 28px, normal style, a font weight of 300, normal line height, and margins of 28px on top, 0 on the sides, and 8px on the bottom. On Android, the element with the ID `cutout-container` will be hidden.
In dark mode, the wrapper for portrait main media headlines on iOS and Android will have a subtle striped background. Within comment sections or `data-gu-name=”body”` elements, the first letter of paragraphs (excluding the very first one) will be white, and h2 headings will use a custom color variable (–byline), defaulting to #c74600.
When scripting is enabled, certain interactive content, grid layouts, furniture wrappers, and header elements will start with an opacity of 0. Once the `interactive-loaded` class is applied to the root element, these items will fade in to full opacity over a 0.3-second transition.
Brigitte Bardot fueled many fantasies, from the passionate daydreams of French filmmakers in the 1950s and 60s to the perky-nippled bust sculpted in 1969 as a model for Marianne, the symbol of the French Republic.
Her death on December 28th broke another, more modern illusion about Bardot. Singer Chappell Roan, reacting to Bardot’s passing at age 91, shared a photo of the actress in her beehive-haired heyday on Instagram. She credited Bardot as an inspiration for her song “Red Wine Supernova,” writing, “Rest in peace Ms Bardot.”
The next day, the post was quickly removed. “Holy shit,” Roan posted on her Instagram Stories, “I did not know all that insane stuff Ms. Bardot stood for. Obviously, I do not condone this. Very disappointed.”Roan didn’t specify which “insane shit” she was referring to, but there is certainly plenty to choose from. While the iconic mid-century image of Brigitte Bardot remains frozen in time for some, her public persona had long since curdled into something much uglier.
In her later years, Bardot was a passionate defender of animal rights, but she was also a committed and enthusiastic racist. She once wrote of Muslims: “They slaughter women and children, our monks, our civil servants, our tourists and our sheep, one day they’ll slaughter us, and we’ll have deserved it.” In another instance, she described “illegal immigrants” as desecrating churches, “defecating behind the altar, urinating against the columns, spreading their nauseating stench beneath the sacred vaults of the choir.”
These views didn’t just lead to her being “cancelled” in modern terms—they resulted in five convictions for inciting racial hatred. She also referred to gay people as “fairground freaks” and dismissed #MeToo victims as “hypocritical, ridiculous, and pointless.” Yet, after her death, French President Emmanuel Macron called her the “legend of the century,” saying she “embodied a life of freedom.” It’s one perspective.
In today’s censorious climate, where even the way Roan deleted and retracted her post drew vitriol from some fans, contemporary cancel culture seems ill-equipped to handle a figure like Bardot, who once described the Tamil community on Réunion as “natives” with “savage genes” and “reminiscences of cannibalism.” How can history reconcile the contradiction of a woman who was both a symbol of sexual emancipation and a mouthpiece for toxicity and hate?
In France, no one can claim to have been shocked by Bardot’s politics, and many obituaries there were clear-eyed about what she represented. Clément Guillou wrote in Le Monde that Bardot “embodied racial hatred” and was “an exception in French culture—the only celebrity to openly defend the far right.” For over three decades until her death, she was married to Bernard d’Ormale, a senior adviser to Jean-Marie Le Pen’s National Front party. Le Pen once approvingly noted that Bardot was “nostalgic for a clean France.”
The French daily Libération also observed that her love for animals—which, in the anglophone world at least, once painted her as a dotty cat lady—had “gradually shifted towards an identity-based discourse where animal rights became intertwined with a racist view of France.” As a mouthpiece for the radical right in recent decades, “Brigitte Bardot no longer bothered with nuance” and lived as a recluse on her Saint-Tropez estate, “surrounded by animals and her temper.”
Ginette Vincendeau, a professor emeritus of film studies at King’s College London who has written extensively on Bardot and French cinema, notes: “It is true that in France, because she was very vocal about a number of issues, she’s been much more present in her contemporary [political] incarnation than she was in the UK, where she was still mostly seen as a film star and global celebrity.”
Vincendeau experienced this tension firsthand this week when she was asked to revisit her appreciation of Bardot’s contribution to French cinema and culture, originally published by the British Film Institute, to include more detail about her race-hate convictions.Vincendeau clarifies that she does not aim to downplay Bardot’s political views, but notes that we likely wouldn’t be discussing them if Bardot hadn’t first been a major film star and, in her view, a pioneering figure in the representation of women—an aspect she believes still deserves recognition.
Bardot never identified as a feminist, coming from a privileged background with a sense of entitlement, yet she played a crucial role in the history of female sexual liberation in France. Vincendeau points out that French women only gained the right to vote in 1944, and the country remained deeply conservative even after Simone de Beauvoir published The Second Sex in 1949.
Against this backdrop, the 1956 film And God Created Woman—featuring a 22-year-old Bardot as a sensual orphan who actively pursues and enjoys sex—had an explosive impact. Vincendeau explains that Bardot’s originality lay in not being merely a “sex bomb.” While acknowledging that the film, like her others, presented her body for the male gaze, Vincendeau highlights what makes Bardot uniquely interesting for feminists: she was a woman who expressed her own desire, not just reacting to others.
Although the character of Juliette was created by Bardot’s then-husband, director Roger Vadim, Bardot’s real-life affair with her co-star Jean-Louis Trintignant cemented her image of sexual freedom just as her stardom soared. Vincendeau argues that while men desired her, she also became a fantasy for women—a symbol of emancipation at a time when contraception and abortion were illegal.
Émilie Giaime, a lecturer in contemporary history and media studies, describes Bardot as a “prodigious catalyst” who helped transform French society from one of moralism to the revolutionary spirit of May 1968. While the unconventionality Bardot represented in the 1950s differs from today’s inclusive sex positivity, one could argue she helped pave the way for such expressions.
However, the intense “Bardomania” came at a great personal cost. Bardot was among the first targets of the paparazzi, enduring relentless harassment. In 1960, she was forced to give birth at home while photographers besieged her house, following a pregnancy she did not want but could not terminate. France’s strict privacy laws later emerged partly in response to her ordeal. Giaime suggests this traumatic period may have contributed to her reclusive misanthropy after she retired from acting in 1973.
According to Dr. Sarah Leahy, Bardot was a provocateur who enjoyed controversy and pushing boundaries. While her later Islamophobia is undeniable and abhorrent, Leahy notes that Bardot was consistently outspoken, never censoring her views.
Leahy, who has taught courses on And God Created Woman for years, observes a recent shift in student reactions to the film. She finds it interesting that students now seem to have more difficulty accessing what Bardot’s image would have meant in its original context.In the 1950s, knowing what we know about her now, Bardot was “a figure from a different time.” Her contemporaries included actresses like Jayne Mansfield and Marilyn Monroe—women who died young and remain frozen in another era. Unlike them, Bardot lived a long life and grew angrier with time.
“When you start to question a myth, you reveal that it’s impossible to find a single, coherent meaning in someone’s life—especially someone like her, who has done so many different things,” says Leahy. The sex symbol, the role model, the compassionate activist, the racist. Bardot was all of these.
Frequently Asked Questions
Frequently Asked Questions About Brigitte Bardot
BeginnerLevel Questions
Q Who was Brigitte Bardot
A She was a famous French actress model and singer who became a global sex symbol and film icon in the 1950s and 60s
Q Why is she called a paradox
A Because her public life had two seemingly opposite sides first as a glamorous movie star and later as a fiercely outspoken animal rights activist whose controversial statements often landed her in trouble
Q What is she most famous for
A She is most famous for her iconic film roles like in And God Created Woman which cemented her status as a symbol of beauty and sexual liberation
Q What did she do for animal rights
A After retiring from acting at age 39 she founded the Brigitte Bardot Foundation for the welfare and protection of animals in 1986 She became a leading highprofile campaigner against animal cruelty from seal hunting to factory farming
Advanced Controversial Questions
Q Why is Brigitte Bardot accused of racism and xenophobia
A Over the decades she has made numerous public statements criticizing Islam immigration and the Islamization of France She has been convicted multiple times by French courts for inciting racial hatred
Q How can someone be an animal rights activist and hold racist views
A This is the core of her paradox Supporters argue her passion for animals doesnt excuse her harmful views about people Critics see it as a contradictionshowing deep compassion for one group while expressing prejudice against another It highlights how activism in one area doesnt necessarily translate to progressive views in all areas
Q Did her controversial opinions hurt her animal rights work
A Yes for many While it kept her in the headlines her political statements alienated potential allies and led some to view her overall activism through a lens of bigotry complicating her legacy
Q What were some of her most controversial statements
A She has compared Muslim immigration to an invasion made derogatory comments about the LGBTQ community and expressed support for farright political figures in France These have resulted in several fines and convictions
