Game da fitowar kundi na Pet Shop Boys na 1988 mai suna Introspective, Neil Tennant ya ƙirƙiro kalmar “imperial phase” don bayyana lokacin da ya ji cewa duo ɗin “sun fahimci ainihin waƙar pop don haka muka ji muna iya yin abin da muke so.” Ga abokin aikinsa a fannin pop, Chris Lowe, wanda ba shi da yawan magana, wannan yakan biyo shi ne da “ɓacewa a cikin bayanka!” A shekarar 2010, mai suka Tom Ewing ya faɗaɗa kalmar Tennant ta hanyar bayyana sharuɗɗa uku: “umarni, izini, da bayyana kai.” Umarni yana nufin son da ikon ɗan wasa na tura iyaka ta yadda zai yi tasiri a abin da zai biyo baya. Izini, a gefe guda, ya shafi jama’a da kyakkyawar fata suke da ita ga ɗan wasa yayin da yake tura abubuwa gaba. A ƙarshe, bayyana kai, in ji Ewing, shine yadda imperial phase ke bayyana sauran aikin ɗan wasan. Duk aikin da zai zo nan gaba za a kwatanta shi da, ko ambata shi tare da, abin da aka fitar a lokacin imperial phase. A lokacin da kundin Kylie mai suna Fever ya fito, duk abin da ya biyo baya a zamanin da ya biyo baya ya wakilci nata imperial phase. Duk abin da ta yi a 2001 da 2002 kamar ya daidaita daidai: kowace bidiyo, kowace zaɓin waƙa, yawon buɗe ido, hankalin manema labarai, salon, haɗin kai na hangen nesa, yadda ta sake fasalin pop kuma ta tura shi gaba. Kuma duk waƙar da ta jagoranci shi ita ce Can’t Get You Out of My Head mai ɗauke da rashin nauyi mai ban mamaki. An haifi waƙar a wani karshen mako na kaka a shekarar 2000 a wani ɗakin studio na gareji a Surrey mallakar tsohon ɗan wasan guitar Mud, Rob Davis, wanda manaja kuma ɗan kasuwa Simon Fuller ya ƙarfafa ya rubuta wasu waƙoƙi tare da fitaccen tauraron pop wanda ya zama marubucin waƙa, Cathy Dennis. “Ban yi imani da cewa wani zai iya yin irin rawar da ta yi ba,” in ji Cathy Dennis. A ranar Lahadi, ta yin amfani da Cubase a kan kwamfutar Mac don ƙirƙirar madauki na ganga kafin ƙara guitar, an shuka irin Can’t Get You Out of My Head. Yayin da Dennis ta fito da taken waƙar – waƙar, kamar yadda ta lura, ba ta dace da tsarin baiti da amsa na yau da kullum ba, inda kowace layi kusan tana aiki a matsayin nata waƙar amsa – Davis ne ya ƙara sashen “‘la la la’”. An kammala demo ɗin cikin sa’o’i uku, yayin da aka ɗora muryar Dennis zuwa 7pm a wannan ranar. An kunna demo ɗin ga Fuller ta wayar tarho. Daga baya ya kunna wa S Club 7, amma sun ƙi shi. An kuma gabatar da waƙar ga Sophie Ellis-Bextor, amma kuma an ga bai dace ba. Tunani ne na Fuller ya aika ta ga Kylie. “Kuma ina tunani: ‘Amma wannan waƙar ba abin da Kylie ke yi ba ce,’” in ji Dennis. “A bayyane, yanzu, babu ɗayanmu da ya san abin da Kylie za ta fito da shi na gaba, saboda ba za a iya raba ta cikin sassa ba.” Kylie, a gefe guda, “ta san ƙananan ma’auni cewa wannan na gare ni,” kamar yadda ta rubuta a 2002. “A ƙarshen waƙar ina so in san yadda zan iya shiga ɗakin studio da sauri.” Duba hoto a cikakken allo Makarantar cibiya … fitacciyar rigar Kylie mai tasiri a bidiyon Can’t Get You Out of My Head. Hoto: Parlophone Records/Warner Music Group Kamar yadda aka yi alkawari, ko da yake abin ya ba Davis mamaki sosai tunda ya shawo kan kansa cewa ba za ta zo ba, Kylie ta isa Surrey don yin rikodin Can’t Get You Out of My Head. Tsakanin salatin salmon mai daɗi da sauran abubuwan morewa, an kammala waƙar cikin sa’o’i kaɗan. Sihirin pop mai ban mamaki na ƙara Kylie a cikin waƙa ya ba su duka mamaki. “Ko da yake Kylie ba ita ce ɗan wasa na farko da aka ba wa waƙar ba, ban yi imani da cewa an nufa ta ga wani ba sai Kylie,” in ji Dennis, “kuma ban yi imani da cewa wani zai iya yin irin rawar da ta yi ba, tare da bidiyon, tana da kyau sosai!” Can’t Get You Out of My Head ba wai kawai “mai kyau ba, ga waƙar pop,” kamar yadda mutane marasa farin ciki suka saba faɗa, suna son yin amfani da wannan tanadi don kada a lalata cancantar su na masu son kiɗa. Yayin da pop ya fara shan salon samarwa na musamman na masu gwaji na R&B s
Tambayoyin da ake yawan yi
Ga jerin tambayoyin da ake yawan yi dangane da labarin cika shekaru 25 da fitowar Cant Get You Out of My Head
Tambayoyin farko
Menene Cant Get You Out of My Head
Waƙar pop ce ta Kylie Minogue da aka fitar a 2001 Ta zama ɗaya daga cikin manyan hits ɗinta kuma ana ɗaukarta a matsayin wani muhimmin abu a kiɗan pop
Wanene ya rubuta kuma ya samar da waƙar
Cathy Dennis da Rob Davis ne suka rubuta ta kuma Cathy Dennis ta samar da ita Kylie Minogue ce ta yi ta
Me ya sa waƙar ta shahara haka
Tana da sautin lallausan da ke jan hankali da kuma sautin lantarki mai santsi Ta hau kan ginshiƙin jadawalin duniya kuma har yanzu ana kunna ta a ko’ina shekaru 25 bayan haka
Me taken yake nufi
Yana nufin waƙa mai ɗaukar hankali ko mutumin da ba za ka daina tunaninsa ba Waƙar kanta game da soyayya mai tsanani ce
Yaushe aka fitar da ita
Ta fito a watan Satumba 2001
Daga wane kundi take
Daga kundin Kylie Minogue mai suna Fever
Tambayoyin matsakaici
Me ya sa labarin ya ce ta ga makomar pop
Saboda ta hango yadda pop zai yi sauti a shekarun 2000 da bayan haka ƙarami na lantarki kuma an gina shi a kan sauƙi mai maimaitawa da yawa daga baya masu fasaha sun kwafi wannan tsarin
Me ya sa waƙar take ɗaukar hankali haka
Ƙwayar la la la bugun da ba ya tsayawa da kuma yadda waƙar take maimaitawa ba tare da ta zama mai gajiya ba Tana da sauƙi amma tana da tasiri sosai
Shin waƙar ta sami wata lambar yabo
Ee ta sami Grammy don Mafi Kyawun Rikodin Rawa a 2002 da sauran lambobin yabo da yawa
Yaya ta yi a jadawalin
Ta kai lamba ɗaya a cikin ƙasashe sama da 40 ciki har da Birtaniya Ostiraliya da yawancin Turai A Amurka ta kasance cikin manyan 10 a Billboard Hot 100
Me ya sa mutane suke cewa ta canza kiɗan pop
Ta taimaka wajen sa lantarki dancepop ya zama salon da ya mamaye shekarun 2000 Ta nuna cewa waƙa na iya zama mai sauƙi kuma mai gagarumar nasara
Wadanne suka ne aka saba yi wa waƙar
Wasu suna cewa tana maimaitawa da yawa ko kuma ba ta da zurfin motsin rai Amma yawancin masu suka suna ganin wannan maimaitawa ita ce ainihin manufar
Tambayoyin ci gaba
Menene makomar pop da labarin yake magana akai
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