Da yamma karfe 6 na ranar farko da bikin OFF ya fara a Katowice, kuma jama'a na taruwa a gaban daya daga cikin matakan don kallon sabbin masu shigowa Tercet Imperial. Sanye da jaket ɗin nylon irin na disco, rigunan motsa jiki, da hulunan Chicago Bulls, mai kunna keyboard Piotr Zabrodzki yana buga waƙoƙin acid masu kaifi da ƙarfi, yayin da mai buga ganga Jan Emil Młynarski ke ci gaba da bugu mai sauri, marar daidaito wanda ke tunawa da bugun da ba a saba gani ba na footwork—salon ghetto-house da ya fito daga Chicago a ƙarshen 90s.
Kaɗan daga cikin waɗanda ke rawa a gaban matakin za su iya gane cewa suna jin wani abu na musamman na Poland: oberek, rawa ce ta gargajiya mai ma'aunin uku wadda sunanta ya fito daga kalmar Poland "to spin," domin yawanci tana tafiya da ma'aurata suna juyawa a filin rawa cikin da'ira.
"Muna buga waƙar gargajiya, amma a kan kayan kida daban-daban," in ji jagorar mawaƙiya Joanna Sztucka. A kundi na farko na Tercet Imperial, Prymat, waƙoƙin gargajiya da kalmominsu an haɗa su cikin samarwa na zamani: violin da ganguna an musanya su da synthesizers da pads na ganga. "Ƙoƙari ne na ƙirƙirar wani tarihi na dabam," in ji Młynarski. "Muna yin hakan ne musamman ga mutanen da ba su san komai game da kiɗan gargajiya ba kuma ba su buƙatar sanin komai."
Tercet Imperial wani ɓangare ne na babban motsi. Nisa a Chicago, Footberk Suite, na mai buga ganga Gary Gwadera (sunan gaske: Piotr Gwadera), kundi ne mai ra'ayi game da haduwar da aka yi hasashen tsakanin oberek da footwork na Chicago. Tushensa ya koma ga tarin footwork mai tasiri Bangs & Works Vol 1, wanda Planet Mu ya fitar a 2010, wanda ya zaburar da Gwadera. "Nan da nan na gane cewa grooves da bugun footwork sun dace da na oberek, kuma ina so in haɗa su," in ji shi. Don yin rikodin shi, ya yi amfani da dżaz—kayan kida mai sauƙi daga ƙauyukan Poland—tare da Roland TR-808 da pads na lantarki.
Mawaƙi Mateusz Kowalski yana ba da wani ra'ayi na dabam game da wannan kiɗan gargajiya tare da ƙungiyoyinsa Radical Polish Ansambl, Tęgie Chłopy, da Warszawska Orkiestra Sentymentalna. A kundinsa na farko na solo, wanda ya fitar a bara a ƙarƙashin sunan Sam Kowalski, ya maye gurbin violin da gitalele (ƙaramin kayan kida wanda ya haɗa guitar na gargajiya da ukulele) kuma ya rage saurin, ba tare da ganga ba—yana mai da salon oberek mai tashin hankali zuwa gudana mai laushi da baƙin ciki mai kama da kiɗan Appalachian.
A wani wuri, ƙungiyar Poland biyu Opla ta fara fassara rhythms na uku na oberek da ƙarfin sa zuwa guitar na lantarki da ganga, daga baya kuma zuwa pads na lantarki, tare da ƙara effects da sassan guitar da aka maimaita. Ƙungiyar jazz ta Poland-Faransa Lumpeks tana kama da Ornette Coleman a cikin dogon yawo a cikin ƙauyukan Poland. Suferi, a halin yanzu, yana haɗa rhythms na oberek da violin mai lantarki, guitar mai yawan effects, da kuma bugun hip-hop a kan ganga.
Sau da yawa, ko da ƙunne mai horarwa ba zai iya gane tasirin rawa ta gargajiya nan da nan ba—kuma wannan shine ainihin manufar. Kamar yadda Kowalski ya bayyana, lokacin da ya fitar da kundinsa mai sunan kansa, bai sanya shi a matsayin kiɗan gargajiya ba. "Maimakon haka, ina so in ce: saurara ba tare da wani ra'ayi ba ka ga abin da wannan kiɗan yake yi maka. Manufar ita ce mutane su yi mamaki idan suka gano cewa wannan abu ne na gargajiya," in ji shi.
Sabon sha'awar al'adun Poland da bayyanarsa na ƙirƙira ya samo asali ne daga tarihin tashin hankali na kiɗan ƙauye a Poland. Kafin yakin duniya na biyu, yana cikin rayuwar yau da kullum—bukukuwan aure, biki, da al'adu—kuma ana koyar da shi ta hanyar kunne. Amma yaki da ƙaura sun katse ci gaban kiɗan a fadin yankuna. A lokacin mulkin gurguzu, wani nau'in al'ada da gwamnati ta amince da shi ya bayyana, wanda ƙungiyoyin mawaƙa na hukuma Mazowsze da Śląsk suka wakilta. Bayan canjin siyasa na ƙasar a ƙarshen 1980s da farkon 1990s, a cikin 1990s, salon kiɗan rawa na Poland, disco polo, ya ɗauki matsayin da ƙungiyoyin ƙauye suka taɓa yi a rayuwar zamantakewa. Ya haɗa ƴan abubuwan gargajiya da bugun Italo disco, da nufin zama mai sauƙi, mai araha, kuma cikakke don bukukuwan aure.
Abin mamaki, a daidai lokacin da ƙauyuka ke nisa daga kiɗan gargajiya, mutanen birni sun fara nemansa kuma. Cibiyar zamantakewa ta Dom Tańca, wadda aka kafa a Warsaw a cikin 1990s, ta kasance mabuɗin wajen dawo da kiɗan gargajiya. Matasa mawaƙa sun fita don nemo tsofaffin ƴan wasa na ƙauye, suna yin rikodi da koyo daga gare su kai tsaye, yayin da suke dawo da al'adar rawan ƙauye.
"Ga tsarar tawa, kiɗan gargajiya wani abu ne da muka fara jin kunya da shi. Gaskiya, babu wanda a cikin ƙungiyar da ya san komai game da shi," in ji Gwadera. "Ban sami mabuɗin fahimtar wannan kiɗan ba, kuma na ɗauke shi a matsayin abin kunya."
Hubert Zemler daga Opla ya yarda cewa ya saurari raga na Hindu kafin ya taɓa jin oberek mai ban sha'awa. "Na dogon lokaci, na danganta kiɗan gargajiya da Mazowsze da ƙungiyar Śląsk—wani nau'in al'ada mai kyau, na hukuma. Obereks suna da rhythm na uku, na rawa; rawa ce ta da'ira da mutane suke buga na sa'o'i. Amma ba su taɓa shiga disco polo ko pop ba. Me ya sa babu hip-hop a ma'aunin 3/4?"
Tun daga 2020, wannan sha'awar kiɗa game da rayuwar ƙauye ta tafi kafada da kafada da wani "juyi na manoma" a al'adun Poland da tattaunawar jama'a. Littattafai kamar Adam Leszczyński's A People's History of Poland da Kacper Pobłocki's Chamstwo, tare da jerin shirye-shiryen Netflix 1670 (wanda kashi na uku da aka fitar kwanan nan ya kasance mafi shaharar shirin Poland a wannan shekara), sun motsa labaran tarihi daga sarakuna, masu daraja, da masu hankali. Sun haifar da muhawara game da tushen manoma na yawancin al'ummar Poland: ƙwarewar bauta, tarihin haɓaka, da kuma murkushe al'adun ƙauye.
A zamanin yau, in ji Gwadera, kiɗan gargajiya yana ƙara "ganinsa a matsayin wani ɓangare na gadonmu da tarihin da aka manta na yawancin mutane—ya zama hanya don biyan buƙatar jin daɗin al'umma."
Oberek ba ya buƙatar zama alamar tarihi ko kayan ado na al'ada—yana zama harshen ƙirƙira na zamani. Młynarski ya ce: "Na tabbata cewa idan wannan tsohuwar al'adar waƙar ƙauye ta rayu kuma ba a maye gurbinta da disco polo da kiɗan biki a cikin 1990s ba, mutane za su ci gaba da buga ta a yau—amma a kan synthesizers da kuma cikin rigunan motsa jiki."
Tercet Imperial za su yi wasa a bikin Unsound a Kraków daga 8–11 Oktoba, Le Guess Who? a Utrecht daga 5–8 Nuwamba, da Unsound London daga 25–26 Nuwamba 2026.
Tambayoyin da Aka Yi Yawa
Ga jerin tambayoyin da aka yi yawa game da haɗin hiphop da rawan gargajiya na Poland musamman game da ma'aunin 3/4
Tambayoyi na Farko
1 Dakata me ya sa yake da ban mamaki a sami hiphop a ma'aunin 3/4
Yawancin hiphop yana cikin ma'aunin 4/4 wanda ke nufin bugu huɗu a kowace ma'auni Yana haifar da wannan groove na boombap mai karkata kai 3/4 yana da bugu uku a kowace ma'auni wanda ke jin kamar karkata ko rawan da'ira Wani yanayin bugu ne gaba ɗaya daban don haka masu samarwa ba safai suke amfani da shi saboda bai dace da tsarin hiphop na yau da kullum ba
2 Menene rawan gargajiya na Poland kuma me ya sa suke sanya shi da hiphop
Rawan gargajiya na Poland kamar Polonez Kujawiak ko Mazur rawa ne na gargajiya Polonez jerin gwanon ne mai daraja yayin da Kujawiak rawa ce mai zamewa da waƙa Masu fasaha suna haɗa waɗannan waƙoƙin gargajiya da matakan rawa tare da bugun hiphop na zamani da isar da rap don ƙirƙirar sabon sauti mai haɗaka wanda ke girmama al'adunsu yayin da suke sa shi dacewa ga matasa masu sauraro
3 Don haka wannan dabara ce kawai ko kuma yana da kyau a zahiri
Yana iya zama mai ban mamaki Idan an yi shi da kyau ba dabara ba ne Ƙarfin bugun hiphop yana ba da sabon kashin baya ga waƙar gargajiya Rashin daidaiton rap na iya yin wasa da karkatar da 3/4 mai kama da waltz yana haifar da groove na musamman da ban sha'awa wanda ke jin duka na al'ada da sabo
4 Wane rawan gargajiya na Poland yake cikin ma'aunin 3/4
Yawancin rawan ƙasar Poland suna cikin ma'aunin 3/4 ciki har da Polonez Kujawiak da Mazur Krakowiak yana cikin ma'aunin 2/4 Lokacin da mutane suka tattauna hiphop a 3/4 yawanci suna nufin Polonez ko Kujawiak
5 Wanene ke yin wannan a zahiri Za ka iya suna wasu masu fasaha
Wani yanki ne mai girma, galibi a Poland Masu fasaha kamar
