An ba da izinin fassara rubutun nan zuwa Hausa ba tare da ƙara, canza, ko ba da shawarar wasu fassarori ba: Christopher Nolan’s Odyssey an yi fim ɗin a ƙasar da aka mamaye. Wannan yana jin kamar cin amana.

An ba da izinin fassara rubutun nan zuwa Hausa ba tare da ƙara, canza, ko ba da shawarar wasu fassarori ba: Christopher Nolan’s Odyssey an yi fim ɗin a ƙasar da aka mamaye. Wannan yana jin kamar cin amana.

A cikin ƙasata, Saharar Yamma, ɗaukar kyamara kawai na iya zama laifi. Lokacin da masu shirya fina-finai da 'yan jarida na Sahrawi suka yi ƙoƙarin rubuta rayuwar yau da kullum a ƙarƙashin mamayar Morocco, galibi suna ƙarewa a kurkuku. Ga gwamnatin Morocco, kyamara a hannun Sahrawi tana barazana ga labarinta na hukuma cewa Saharar Yamma wani yanki ne na Morocco.

A gefe guda, lokacin da shahararrun masu shirya fina-finai na duniya suke son ɗaukar hoto mai kyau don tafiya mai ban mamaki kuma suka yanke shawarar cewa ƙasarmu tana da ban mamaki don wuraren su, ana maraba da su, ana raka su, kuma ana ba su dama daga hukumomin da suka hana mu wannan haƙƙin.

Wannan ita ce gaskiya mai ɗaci da ban mamaki a Saharar Yamma, yanki da aka mamaye wanda ke da wadata a dukiyar abin duniya da al'adu. Yayin da masu hako abinci daga waje ke ɗaukar phosphate, yashi, kifi, da tumatir namu kyauta, kuma suna cin riba daga iska, hasken rana, da hamadar mu, mu, mutanen Sahrawi na asali, muna zama 'yan tsiraru a cikin ƙasarmu. Ana ture mu a gefe, ana rufe mana baki, kuma an hana mu damar shiga ƙasar da muka yi ta yawo a matsayin makiyaya na ƙarni.

Sabon babi a cikin wannan labari na mulkin mallaka ya ƙunshi wani babban fim na Christopher Nolan wanda ya yi amfani da sassan yankin da aka mamaye a matsayin wurin yin fim. Sahrawis suna mamakin cewa an yi hotunan daga **The Odyssey**—wani karbuwa na waƙar Homer game da ƙaura, rabuwar iyali, cin amana, da gwagwarmaya mai raɗaɗi don komawa gida—a ƙasarmu. Abin ban mamaki zai zama abin dariya idan ba haka ba ne mai ban tausayi: mu, mutanen Sahrawi, waɗanda aka yi amfani da ƙasarsu don yin hotunan wasu sassan **The Odyssey**, muna rayuwa cikin bala'inmu na kansa fiye da shekaru 50.

An mamaye ƙasarmu da ƙarfi daga arewa da kudu a shekarar 1975, lokacin da hukumomin mulkin mallaka na Spain suka mika ta ga Morocco da Mauritania. A yau, rabin mutanenmu suna zaune a sansanonin 'yan gudun hijira a hamadar Aljeriya, yayin da sauran rabin ke zaune a ƙarƙashin wata ƙasa ta 'yan sanda ta soja mai shaƙa, wadda aka raba su da katanga mai tsawon kilomita 2,700 da Morocco ta gina kuma ta ƙarfafa da miliyoyin nakiyoyi.

Waɗannan gaskiyoyi da labarai ba za su shiga babban allo ba. A cikin duniyar da ke sha'awar almara ta hanyar sihirin sinima, yana da sauƙi a tono labari mai shekaru 3,000 na wahala, rabuwa, da cin amana fiye da ganin cewa waɗannan jigogi suna rayuwa kowace rana ta mutanen Sahrawi.

Zaɓin Nolan na yin fim a yankin da aka mamaye yana nuna ayyukan hako abinci da ke cikin masana'antar fina-finai ta Yamma. Sinima ta Yamma ta kasance tana taimakawa wajen hako labarai da al'adun gargajiya daga Ƙasashen Kudu a ma'auni mai girma kamar albarkatun abin duniya da masana'antar mulkin mallaka ta Yamma ke ɗauka. Ƙungiyoyin fina-finai na duniya suna shigowa, suna ɗaukar hotunan fuskokinmu, tufafinmu, dune, da al'adunmu, sannan su tashi. A gare su, muna zama kamar abubuwan ado ne kawai don wuraren su. A baya a New York, London, ko Paris, suna samun daraja, nasarar akwatin ofishin, da kyaututtuka.

Ga harbin Nolan a Dakhla, da alama bai nemi izininmu ba kuma bai yi la'akari da ɗabi'ar taimakawa wajen tallafawa da halatta mamayar Morocco ba, yana sa sararin samaniya ya zama marar aminci ga Sahrawis da ke zaune a ƙarƙashinsa. Yana shiga cikin wani kamfen na PR na gwamnati da aka tsara don halatta mamayar da ba ta dace ba.

A cikin yankin da ba shi da mulkin kai—wanda Saharar Yamma take, a cewar Majalisar Dinkin Duniya—yin amfani da albarkatun abin duniya ko al'adu na ƙasar ba tare da izinin mutanen asali ba ba kawai rashin ɗabi'a ba ne; a ƙarƙashin dokar ƙasa da ƙasa, ba bisa doka ba ne. Ƙasarmu, al'adunmu, da gadonmu namu ne.

Morocco tana amfani da sinima don wanke mamayar ƙasarmu. Ta hanyar gayyatar ƙungiyoyin fina-finai na waje don yin fim a Saharar Yamma yayin da take hana Sahrawis haƙƙin yin fim da bayyana kansu, Morocco tana ƙirƙirar hoto mai ban sha'awa, mai son yawon buɗe ido wanda gwamnati ke amfani da kowane kayan siyasa, tattalin arziki, da al'adu don ci gaba da mamayar da kuma musanta wanzuwar da juriyar mutanen Sahrawi. Waɗannan ƙoƙarce-ƙoƙarce na shafe mu suna kama da sauran hanyoyin ƙaura da maye gurbin. Lokacin da munanan ayyukan Morocco suka tilasta wa iyalai da yawa na Sahrawi barin Saharar Yamma a lokacin yaƙin, gwamnatin ta cika yankin da ɗaruruwan dubban mazauna Morocco, ta cika tituna da tutoci, hotuna, da alamomin al'adu da aka shigo da su. Wannan kamfen ne na gangan don raunana harshenmu, sake rubuta labaranmu, da maye gurbinmu da al'adunmu a hankali. A cikin wannan mahallin, masu shirya fina-finai ba su da tsaka-tsaki—kayan aikinsu da matsayinsu na iya tallafawa wannan siyasar shafe.

Christopher Nolan ya sha suka saboda yin fim a birnin Saharar Yamma da aka mamaye
Kara karantawa

Masu kallo da ke zuwa ganin **The Odyssey** sun cancanci mafi kyau. Suna da haƙƙin sanin ɗabi'ar da ke bayan yin wannan fim. Hotunan sinima da aka sayar musu a matsayin wuraren da abubuwan tarihi suka faru an ɗauke su ne a kan wahalar mutanen Sahrawi.

Mu, Sahrawi, ba ma son ƙasarmu ta zama wurin shakatawa mai tsabta don almara na Yamma. Muna son mu ba da labaranmu, mu yi fina-finanmu, kuma mu yanke shawara da kanmu. Bayyana al'adunmu yana da mahimmanci ga haƙƙinmu na yanke shawara. Har sai masu shirya fina-finai na duniya sun ƙi yin aiki da ikon mamayar da ke zalunta a ƙasarmu, kuma har sai muna da haƙƙin riƙe kyamarorinmu ba tare da tsoron ɗauri ba, kowane hoto da aka ɗauka a ƙasarmu ta wani baƙo na iya zama kamar cin amanar fasahar ba da labari.

Mohamed Sleiman Labat ɗan wasan kwaikwayo ne na Sahrawi wanda ke zaune a sansanonin 'yan gudun hijira na Sahrawi a kudu maso yammacin Aljeriya. Zane-zanensa ya dogara ne akan rayuwar da ta gabata da ta yanzu na mutanen Sahrawi ta hanyar ayyuka daban-daban, gami da fina-finai, rubuce-rubuce, da zane-zane na al'umma. Shi ne darektan Motif Art Studio a sansanin 'yan gudun hijira na Samara, ƙaramin wuri don samar da zane-zane da gwaji.

**Tambayoyi da Aka Yi Yawa**

Ga jerin tambayoyin da aka yi yawa game da rigimar da ke tattare da yin fim ɗin Christopher Nolan na Odyssey a ƙasar da aka mamaye

**Tambayoyi na Matakin Farko**

1. Menene rigimar game da Odyssey na Christopher Nolan?
Yana game da yin fim ɗin a wuraren da ake ɗauka a matsayin yankin da aka mamaye a ƙarƙashin dokar ƙasa da ƙasa. Mutane da yawa suna jin cewa wannan magana ce ta siyasa da ke daidaita mamayar.

2. Ina ake yin fim ɗin da ake ɗauka a matsayin ƙasar da aka mamaye?
An ruwaito cewa ana yin fim ɗin a sassan Girka da Turkiyya, amma takamaiman rigimar tana nufin yin fim a yankuna kamar yankin Cyprus ko Yammacin Kogin Jordan. Takamaiman wurin ya dogara da rahoton.

3. Me yasa mutane suke jin wannan cin amana ne?
Magoya baya da masu fafutuka suna jin an ci amanar su saboda ana ɗaukar Nolan a matsayin mai shirya fina-finai mai tunani na siyasa. Suna ganin yin fim a ƙasar da aka mamaye yana ba da halacci ga yanayin da bai dace ba, yana cin karo da ƙimar adalci da haƙƙin ɗan adam da suke dangantawa da aikinsa.

4. Shin yin fim a ƙasar da aka mamaye ba bisa doka ba ne?
Ba laifi ba ne ga mai shirya fina-finai ɗaya, amma yana keta ruhin dokar ƙasa da ƙasa wadda ta ce ikon mamayar ba zai iya amfani da albarkatun yankin da aka mamaye ba. Yin fim na iya zama kamar amfani da tattalin arziki.

5. Shin Christopher Nolan yana sha suka daga masana'antar fina-finai?
Ee, amma galibi daga ƙungiyoyin fafutuka da ƙungiyoyin kauracewa al'adu. Manyan ɗakunan studio da jaridu na yau da kullun sun yi shiru saboda batu ne mai tsananin siyasa.

**Tambayoyi na Matakin Ci Gaba**

6. Wadanne dokokin ƙasa da ƙasa na musamman ne yin fim a ƙasar da aka mamaye ya keta?
Yana keta Dokokin Hague da Yarjejeniyar Geneva ta Hudu, waɗanda suka hana ikon mamayar canja wurin sassan jama'arta zuwa yankin da aka mamaye ko amfani da albarkatunsa. Yin fim na babban ɗakin studio na iya zama kamar wani nau'i na amfani da tattalin arziki.

7. Yaya wannan ya bambanta da sauran fina-finai na Hollywood da aka yi a yankunan da ake jayayya?
Bambancin shine matsayin yankin. Tunisiya ƙasa ce mai cin gashin kanta. A wannan yanayin, ƙasar tana ƙarƙashin mamayar yaƙi inda gwamnatin mamayar ba ta da haƙƙin doka don ba da izini. Yin fim a can yana nuna amincewa da ikon wannan gwamnatin.