Tabbatacce kamar yadda Yoko Ono’s Cut Piece yake da muhimmanci
Peaches
Har yanzu ina tuna lokacin farko da na ga wannan hoton na Valie Export sanye da wando marar ƙura, ƙafafunta a baje, bindiga a hannunta. Hoton da ba shi da tsoro ne wanda ya ɗauke numfashina kuma ya kasance tare da ni har abada.
A cikin shekaru, aikinta ya ƙarfafa waƙoƙina. Wasanta Tapp-und-Tastkino (Tap and Touch Cinema), inda ta ɗaura ƙaramin gidan wasan kwaikwayo a ƙirjinta tsirara kuma ta gayyaci mutane su shiga ta wani ɗan labule, ya ji kamar yana da muhimmanci kamar Yoko Ono’s Cut Piece. Ya dogara ga masu kallo yadda za su yi mu’amala da ita, wanda zai iya zama da wuya a kalla amma koyaushe yana bayyana wani abu mai ma’ana. Ina baƙin ciki da ta tafi.
Peices mawaƙiya ce kuma mai shirya kiɗa daga Kanada.
'Jikin mace ba abu ne mai ladabi ba'
Florentina Holzinger
Na rubuta takarda kan Valie Export tun ina makarantar sakandare ina ɗan shekara 14. Koyaushe ina ɗaukar gado da muhimmanci; yawancin aikina na kewaya abin da ya gabata da abin da waɗannan tarihin suke nufi a gare mu a yau.
Shekara ta 1969 ne Genital Panic ya faru. Valie ta shiga wani gidan sinima na gwaji a Munich sanye da wando marar ƙura. Ta yi tafiya a hankali, jere zuwa jere, tana tilasta al’aurarta a bayyane zuwa matakin ido da masu kallo da ke zaune.
Duba hoto a cikakken allo: Mai zafi a kalla amma koyaushe yana bayyana … Tapp und Tastkino, 1968, na Valie Export. Hoton: Babu daraja.
Ci gaba zuwa yau. Mun sami kanmu a cikin sabon yanayi gaba ɗaya: muna nutsewa cikin tarkon algorithmic, batsa na intanet kyauta, da sauransu, ba ma maganar koma bayan siyasa mai ruɓewa da ke ƙoƙarin sanya dokoki ga jiki su koma zamanin duhu. Don haka a: ainihin buƙatar siyasa don ƙalubalantar yadda muke kula da tsiraici da jiki na gaske har yanzu tana nan. A gaskiya, ya zama mafi gaggawa da rikitarwa fiye da kowane lokaci.
Na gode, Valie, don share hanya kuma don bayyana wannan gaskiyar da tsabta: jikin mace ba abu ne mai ladabi ba. Yana iya zama alamar kasuwanci—makamin da za a fitar da shi kai tsaye kan tsarin da muka zaɓa don yaƙi. Ki huta lafiya.
Florentina Holzinger mawaƙiyar rawa ce kuma darektan wasan kwaikwayo daga Austria.
'Mai sha’awa, jaruntaka, kuma lalle mai karimci'
Joan Jonas
Valie Export mawaƙiya ce mai muhimmanci sosai. Lokacin da na tuna da ita, wasu kalmomi sun zo a raina: mai ƙarfin hali, mai tsattsauran ra’ayi, mai sabon salo, mai sha’awa, jaruntaka, kuma lalle mai karimci. Jikinta ya kasance tsakiya—a cikin fuskantar gine-ginen da maza suka yi, misali, kuma gaba ɗaya a matsayin abin hawa don mu’amalolinta da yawa. Ayyuka da yawa ba a mantawa da su, kamar Grope and Touch (1968), Genital Panic (1969), da Encirclement (1976).
Duba hoto a cikakken allo: Mai ƙarfin hali, mai tsattsauran ra’ayi, mai sabon salo … Valie Export tare da Die Geburtenmadonna, 1972 a 2019. Hoton: Guy Bell/Alamy Stock Photo/Alamy Live News.
Kalmominta game da Homo Meter II (1976) sun bayyana matsayinta: “Lokacin da na fita kan titi da gurasar da aka ɗaura a kaina kuma na miƙa ta a matsayin kyauta, mutane sun damu, sun firgita, kuma suna sha’awar sani. Ba su yi ƙarfin hali su yanke guntu da wuka ba. Gurasar kuma an yi nufin ta zama ƙarin jiki, tsokana … a matsayina na mawaƙiya, na kasance ni kaɗai ta hanyoyi da yawa, kuma musamman fuskantar jama’a a sararin jama’a wani abu ne mai keɓewa sosai.”
Joan Jonas mawaƙiya ce Ba’amurke.
'Ta yi nagarta ta rashin biyayya ga gwamnati'
Candice Breitz
Duba hoto a cikakken allo: Ta sa mazajen mulki a kan ɗaurin kare … daga The Portfolio of Doggedness tare da Peter Weibel, na Valie Export. Hoton: YouTube.
Valie ta nuna wa yawancinmu—da halinta mai zafi da salon ta na ban tsoro—cewa ba lalle mu yi rayuwa bisa dokokin mutanen da ba za mu iya girmamawa ba. A matsayinta na mai tsokana mata, ta yi nagarta ta rashin biyayya ga gwamnati, koyaushe tana neman sararin da maza suka mamaye na dogon lokaci. A cikin shiga tsakani na 1968, a zahiri ta sa mazajen mulki a kan ɗaurin kare, tana jan mai kula da tarihi Peter Weibel ta hanyar titunan Vienna a kan hannuwa da gwiwoyi. Gadonta zai ci gaba da rayuwa ba kawai a cikin aikinta ba, har ma ta yadda ta ƙarfafa waɗanda suke bin sawunta.
Candice Breitz mawaƙiya ce ta Afirka ta Kudu.
“Ta fahimci kayan aikin kafofin watsa labarai na yau da kullum.” — Shoair Mavlian
“Mutane suna tsorona”: mawaƙiyar da ta mayar da ƙirjinta gidan sinima.
Kara karantawa
Hoto ya kasance tsakiya ga aikin Valie Export. A cikin shahararrun jerin Body Configurations, ta sanya jikinta a wuraren jama’a na birni, tana murɗa shi don dacewa da tsarin gine-ginen da ke kewaye da ita. Ta fahimci ikon amfani da kayan aikin kafofin watsa labarai na yau da kullum kuma ta zama ɗaya daga cikin mawaƙan mata na farko da suka bincika yadda ake nuna mata a kafofin watsa labarai ta hanyar hoto da fim. A lokacin nuninta a Photographers’ Gallery a 2024, ta yi tunani game da amfani da hotonta a aikin mata daga 1960s gaba, tana cewa: “Mun yi amfani da buɗewar kyamara don ganin abubuwa da idanunmu, da tunaninmu.” Amfani da hotonta na tsattsauran ra’ayi—a matsayin hanyar rubuta, rikodi, da tambaya—ya rinjayi tsararrakin mawaƙan mata da suka biyo bayanta.
Shoair Mavlian ita ce darektan The Photographers’ Gallery a London.
Tambayoyi da Aka Yi Yawa
Ga jerin tambayoyin da aka yi yawa game da labarin Wandonta marar ƙura ya ƙone a ƙwaƙwalwata har abada Valie Export kamar yadda mawaƙan da ta ƙarfafa suka tuna da ita
Tambayoyi na Matakin Farko
1 Menene wannan labarin yake game da?
Tarin labarai ne daga wasu mawaƙan da Valie Export, mawaƙiyar wasan kwaikwayo mai tsattsauran ra’ayi daga Austria, ta ƙarfafa. Suna raba tunaninsu na sirri game da aikinta mai ban tsoro da yadda ya canza aikin nasu.
2 Wanene Valie Export?
Mawaƙiya ce ta mata ta farko daga Austria, wacce ta shahara a shekarun 1960 da 1970 don amfani da jikinta a jama’a don ƙalubalantar yadda al’umma ke kallon mata. Ta yi amfani da ayyuka masu tsokana da jima’i don yin maganganun siyasa.
3 Me yasa take ya ambaci wando marar ƙura?
Wannan yana nufin ɗaya daga cikin shahararrun wasanta Action Pants Genital Panic. Ta sa wando da aka yanke ƙura, ta shiga gidan sinima na batsa kuma ta fuskanci masu kallo kai tsaye. Take yana nuna yadda wannan hoton ya kasance ba a mantawa da shi ga mawaƙan da suka gan shi.
4 Shin wannan labarin game da wasa ɗaya ne kawai?
A’a. Duk da cewa take yana nuna wannan lokacin mai muhimmanci, labarin ya rufe ayyukanta da yawa, ciki har da Touch Cinema da shirye-shiryen bidiyo na farko.
5 Su wanene mawaƙan da aka ambata a labarin?
Labarin ya ƙunshi maganganun mawaƙan zamani da suka shahara kamar Marina Abramović da Cindy Sherman, waɗanda aikinsu ya rinjayi kai tsaye daga aikin Export.
Tambayoyi na Matakin Tsakiya
6 Me yasa aikin Valie Export ya kasance mai ban tsoro a lokacin?
Domin ta yi amfani da jikinta na gaske mara kyau don karya haramun. A shekarun 1960, mata a fasaha galibi ana ganin su a matsayin abubuwa marasa aiki. Export ta sarrafa bayyanarta da kanta, tana tilasta masu kallo su fuskanci son su na kallo da nuna bambancin jinsi.
7 Menene babban batun labarin?
Yana nuna yadda jaruntakar mawaƙiya ɗaya za ta iya haifar da tasiri mai yawa. Labarin yana jayayya cewa salon Export na tsokana ya ba da izini ga mawaƙan mata na baya su kasance masu ƙarfi, siyasa, da rashin nadama a aikinsu.
8 Yaya labarin ya bayyana tasirin Export a kan mata a fasaha?
Ya bayyana cewa ba kawai ta yi zanga-zangar nuna bambancin jinsi ba—ta sake ma’anar kallon mata.
