Cibiyar Quentin Blake ta Zane-zane, wadda za a buɗe a wata mai zuwa a Clerkenwell na London, tana bazuwa a cikin wani babban ginin masana'antu na ƙarni na 17. Ana tallata ta a matsayin babbar cibiya irin ta a duniya—madaidaiciyar gida ta ƙasa don wani nau'in fasaha da ke tasiri komai daga littattafan yara da zane-zanen siyasa zuwa raye-raye, salon tufafi, talla, da al'adun dijital. Wani ɓangare na gidan kayan tarihi, wani ɓangare na gallery, da wani ɓangare na dakin gwaje-gwaje na kirkire-kirkire, cibiyar wani gagarumin ƙoƙari ne na fitar da zane-zane daga inuwa kuma a ƙarshe sanya shi a tsakiyar rayuwar al'adun Biritaniya.
Duba hoto a cikakken allo
The Gruffalo na Julia Donaldson da Axel Scheffler. Zane: Axel Scheffler
A ƙarshe, cibiyar za ta ɗauki babban tarihin Blake: zane-zane 40,000 na ɗaya daga cikin shahararrun masu fasaha da ake iya ganewa nan take a Burtaniya. Yanzu yana da shekaru 93, Blake ya shafe shekaru 75 yana rayar da kalmomin wasu daga cikin marubutan da muka fi so. Roald Dahl shine babba, ba shakka—ba za ka iya tunanin Dahl ba tare da tunanin zane-zanen Blake masu rai, na alkalami ba—amma jerin sun haɗa da Michael Rosen, John Yeoman, Sylvia Plath, da Voltaire, da kuma littattafan Blake da kansa. A wasu kalmomi, yana da wuya a sami wani mai irin wannan ikon.
"Akwai buƙatar yin ƙarin don gane mahimmancin duk zane-zane a matsayin nau'in fasaha," in ji Blake. "Abin da ya fi ban mamaki game da shi shi ne cewa yare ne da kowa ya fahimta."
Shekaru da yawa, masu zane-zane an yi watsi da su, ana ganin su a matsayin mutanen da suke shigowa don yin ado bayan an gina gidan. Amma hakan ba gaskiya ba ne. Lokacin da kake tunanin **The Twits**, tabbas kana tunanin zane-zanen Blake masu daji, masu katsalandan. Don tunanin **Funnybones** shine ganin hotunan Janet Ahlberg masu sauƙi na yaudara kafin kalmomin Allan Ahlberg. Tafi kowane tafiya na Gruffalo na Forestry England, kuma zane-zanen Axel Scheffler—ba rubutun Julia Donaldson ba—ne suke tsalle a gare ka daga tsakanin bishiyoyi.
"Mun ɗan kasance a inuwa," in ji Scheffler. "Ana kiran littattafanmu littattafan hoto, don haka muna da muhimmin bangare na tsari. Wani nau'in fasaha ne da ba a kima shi sosai, marubuci da mai zane suna ƙirƙirar wani abu tare. Yana da wuya a raba."
"Mafi guntu lokacin da na taɓa rubuta littafin hoto shine awa ɗaya, na buga shi a wayata a cikin jirgin sama," in ji marubuciya-mai zane Sarah McIntyre. "Amma koyaushe suna ɗaukar akalla watanni uku ko huɗu na aiki mai zurfi don yin zane—sa'o'i tara ko fiye a rana, kwanaki shida a mako."
Duba hoto a cikakken allo
Oi Frog! na Kes Gray. Zane: Jim Field 2014
McIntyre ta yi fiye da yawancin don nuna yadda ake watsi da masu zane-zane. Shekaru goma da suka wuce, ta ƙaddamar da kamfen na Pictures Mean Business don matsawa masu zane-zane su sami cikakkiyar yabo don aikinsu. Ta yin haka, ta taimaka wajen share rashin fahimta game da abin da littafin hoto yake da gaske.
Da yake na rubuta su da kaina, na san yadda suke na musamman. Kusan koyaushe shafuka 32 ne, kuma kusan koyaushe mai kula da yaro ne ke karanta wa yaro kafin yaro ya iya karantawa da kansa, yawancin littattafan hoto suna wanzu a daidai inda rubutu da zane suka hadu. Cire kowane bangare, kuma duka ya rushe.
"Ina tsammanin zana labari ɗaya ne daga cikin mafi yawan ilhami na ɗan adam," in ji Huw Aaron, wanda littafinsa **Sleep Tight, Disgusting Blob** ya lashe kyautar littafin yara na Waterstones a wannan shekara. "Ba mu sani ba ko mutane suna rawa ko suna waƙa shekaru 40,000 da suka wuce, amma mun san suna yin wasan kwaikwayo game da mutane suna bin shanu, saboda suna ko'ina a bangon kogo."
Abubuwan da mai zane zai iya yi ga rubutu sun bambanta kamar yadda suke da ban mamaki. Jim Field, mai zanen **Oi Frog!** na Kes Gray da **The Lion Inside** na Rachel Bright, yana ganin zane a matsayin wani ƙarin matsayi. "Ba na ƙoƙarin yin daidai abin da kalmomi ke faɗi," in ji shi. "Ina ƙoƙarin saƙa wasu ƙarin labarai ko barin mai karatu ya koyi ƙarin game da hali."
Matty Long, mahaliccin **Super Happy Magic Forest** — jerin da ya tashi daga littattafan hoto zuwa littattafan babi zuwa talabijin — ya sanya shi ma fi karfi. "Idan kalmomi kawai suna kwatanta hoton, to me yasa ake da kalmomi kwata-kwata?" in ji shi. "Ina son hotuna su yi yawancin ba da labari."
[Hoto: I Want My Hat Back na Jon Klassen. Zane: Walker Publishers / Jon Klassen]
Amma wani lokacin mai zane zai iya yin fiye da haka. A cikin **I Want My Hat Back**, Jon Klassen ya yi sihirin faɗin labarai biyu daban-daban a lokaci guda. Karanta ba tare da hotuna ba, littafin kawai game da wani bear ne da yake tambaya ba tare da nasara ba game da hularsa da ta ɓace. Amma hotunan suna ƙara wani mahallin da ya ɗan saba da wannan. Bear, mai ladabi sosai a cikin rubutu, a zahiri yana motsa shi da ramuwar gayya ta kisa.
"Da alama a nan ne gaskiyar abin ya kamata ta kasance," in ji Klassen game da tashin hankali tsakanin kalmomi da hotuna. "Yawancin lokaci ina ƙarewa da sanya rabin gaskiya a cikin kalmomi, ko barin abubuwa da yawa. Ina tsammanin hakan yana aiki da kyau tare da yara saboda, lokacin da rubutu ya kasance ba daidai ba, suna iya ganin cewa hotuna suna faɗin gaskiya."
Tun kafin yaro ya iya fahimtar kalmomin da aka rubuta, sun riga sun koyi abubuwa da yawa game da duniya ta hanyar hotuna. "Na ga Quentin Blake yana magana game da ilimin gani, kuma ya kwatanta wannan da kyau," in ji Ed Vere, mahaliccin **Waffles & Julius** kuma mai zane wanda ya shafe shekaru yana aiki da malamai ta hanyar shirinsa na Power of Pictures. "Ya tambayi wasu yara abin da 'indignant' ke nufi. Ba shakka, babu wanda ya sani. Sa'an nan kuma ya zana wata tsohuwa mai fushi da sauri, kuma kowane yaro ya fahimta daidai. Ba kawai 'fushi' ba ne ko ɗaya daga cikin waɗannan motsin rai na baki da fari. Duk sun fahimci ƙananan abubuwa daga zanensa."
Ga Sophy Henn, mahaliccin jerin **Happy Hills**, wannan shine dalilin da ya sa ra'ayin cewa littattafan hoto kawai mataki ne na hawa zuwa littattafan "na gaske" yayi kuskure sosai. Ta hanyar samun hanyoyin bayanai guda biyu, in ji ta, "kana koyon wayewar motsin rai, kana koyon tausayi, kana koyon yin tunani mai zurfi. A duniyar da muke rayuwa a yau, hakan yana da matukar muhimmanci. Ina fata mutane da yawa su san cewa littattafan hoto a zahiri wani nau'i ne na karatu mai rikitarwa."
[Hoto: Sleep Tight, Disgusting Blob na Huw Aaron. Zane: Huw Aaron]
"Yara suna da mafi kyawun ƙananan hankali," in ji Lauren Child, mahaliccin **Charlie and Lola**. "Suna iya zama ƙanana, amma su manyan masu tunani ne. Suna da wayo sosai a gani ta hanyoyin da manya ba su da su. Muna amfani da alamun gani da kyau a duk rayuwarmu, amma muna rasa wannan ƙarfin da muke da shi lokacin da muka fara zuwa."
Littafin hoto na iya zama karo na farko da yaro zai iya gane da suna wani babban motsin rai da yake ji. Littafin Nadia Shireen **Barbara Throws a Wobbler** yana amfani da hotuna masu haske, masu launi don nuna ji da suka wuce kalmar da aka rubuta. "Akwai wani ɓangare a cikin littafin inda Barbara ta yi magana da Wobbler, kuma ya zama mai zurfi sosai," in ji ta. "Dole ne in tambayi edita na: 'Shin wannan mahaukaci ne? Shin muna tsammanin yara masu shekaru uku za su yi tafiya ta tunani?'"
Wani lokaci, zane zai iya ma juya littafi zuwa kayan aikin ba da labari, yana barin yara su zama marubuta tare. A cikin **Splat!** na Jon Burgerman, alal misali, masu karatu suna iya fashe babban hali a fuska da sababbin abubuwa masu banƙyama a kowane shafi. "Ina so in yi littafin da zai iya zama littafi kawai," in ji Burgerman. "Na yi murna da sigar littafin hoto sosai, kuma ina so in yi wani abu da ba za a iya yi ta wata hanya ba."
A halin yanzu, **Is This a Plum?** na Dan Ojari da ɗansa Finn yana amfani da yanke da wayo don ɓoye abubuwa a bayyane. "Wani ya aiko mini da bidiyo na yaronsu, wanda ba zai iya karatu ba tukuna, kuma suna ba da labari ga iyayensu saboda kalmomin suna da sauƙi," in ji Ojari. "Yana da wannan jin na 'Na san fiye da iyayena, kuma zan yaudare su.'"
Idan duk wannan ya sa zanen littafin hoto ya zama abin ban sha'awa, tsarin da kansa yakan fara a mafi ƙarancin ban sha'awa: da zane. "Zane dole ne ya zo farko," in ji Long, yana ɗaga wani zane na farko na hali na Super Happy Magic Forest wanda, ko da a matakin farko, har yanzu yana iya ɗaukar duk mahimman halayen halayen halin. "Dole ne in shawo kan kaina cewa akwai wani ra'ayi da ya cancanci bi, kuma ina yin hakan ta hanyar zane."
"Na zana hoton farko na Hiccup shekaru 30 da suka wuce. Ya kai ga littattafai 12, jerin fina-finai, da wurin shakatawa. Kawai ɗan zanen fensir!" in ji Cressida Cowell akan Yadda Ake Horar da Dodonka.
Sue Hendra tana yin haka, tana nuna mini zanenta na farko na hali Supertato, wanda ta ƙirƙira tare da Paul Linnet kuma ya juya zuwa ƙaramin daula na littattafai 15 da ƙari. Zanenta yana nuna dankalin da ke tashi a kan birni. Ba ta da tabbas game da rubuta littafi game da abin da yake kama da dankalin da ya yi girma mai girman apocalypse, zanen ya koya musu cewa suna buƙatar sake tunanin duniyar Supertato. "Paul ya ba da shawarar babban kanti, saboda birni ne mai ƙanƙanta da kayayyaki daga ko'ina cikin duniya ke shigowa. Ya ƙirƙiri wannan kyakkyawan iyaka wanda ya ji da aminci da tsaro."
"Idan ina da littafin rubutu na, zan nuna muku hoton farko na Hiccup da na zana shekaru 30 da suka wuce," in ji Cressida Cowell, marubuciya kuma mai zanen jerin Yadda Ake Horar da Dodonka. "Wani ɗan Viking ne yake ƙoƙarin rayuwa daidai da mahaifinsa. Wannan shine iri na farko na wani abu da ya girma ya zama littattafai 12, jerin fina-finai, da wurin shakatawa. Kawai ɗan zanen fensir!"
Halaye kuma sune komai ga Jamie Smart, wanda littattafansa na Bunny vs Monkey suke a tsakiyar bunƙasar littattafan ban dariya a yanzu a bugawa. Sha'awarsu tana da girma, kuma yawancinta ya fito daga yadda halayen suke da sauƙi don sake ƙirƙira. "Lokacin da na yi bita ga yara, koyaushe ina farawa daga farko. Ina cewa, 'Zana murabba'i da zana da'ira, kuma yanzu za ka iya zana kusan kowane hali a cikin Bunny vs Monkey,'" in ji shi. "Ga yaro, ba da labari na iya zama abin tsoro saboda dole ne ka san duk kalmomin da za ka buƙata. Amma idan za ka iya ba da labari da layi biyu da fuskar murmushi, wace kyauta ce."
Babu shakka, babu wanda ya fi Rob Biddulph sanin wannan, wanda bidiyonsa na Draw With Rob—yana koya wa yara mataki-mataki su kwafi zanensa—ya sa ya zama taska ta ƙasa a lokacin kulle-kulle. "Ina tsammanin shine abin da na fi alfahari da shi a cikin aikina," in ji shi. "Tabbas, yana kan allo, amma za ka iya amfani da wannan allo don yin wani abu mai amfani da jiki. Yara suna kallona a YouTube, amma a zahiri suna yin wani abu a kan takarda wanda za su iya liƙawa a kan firij."
Idan littattafan hoto suna tambayar yara da yawa, su ma suna buƙatar wani aiki na amana na ban mamaki daga manyan da suka ƙirƙira su. "Ina tsammanin marubuci da mai zane suna buƙatar raba irin abubuwa—abin dariya, abin wasan kwaikwayo," in ji Blake. "Amma yana da kyau idan ra'ayoyinsu ba daidai ba ne; ɗayan yana buƙatar cika ɗayan."
Duba hoto a cikakken allo: Funnybones na Allan Ahlberg. Zane: Penguin Random House
Lokacin da yake zana aikin wani, abu na farko da Blake yake yi shine nazarin rubutun sosai. "Da farko, ina buƙatar sanin halayen sosai kamar yadda zai yiwu kuma in yi tunanin yadda suke kama," in ji shi. "Bayan haka, game da nemo lokuta masu dacewa da za su jawo hankalin mai karatu amma ba su bayyana abin da marubuci ya shirya ba. Misali, akwai wani lokaci mai ban mamaki a cikin Matilda na Roald Dahl inda muguwar Miss Trunchbull ta bugi Bruce Bogtrotter a kai da faranti. Na nuna ta tana ɗaga faranti sama da talakan yaron, na bar lokacin ban mamaki ga Roald da kansa ya gama. Wannan fasaha ce a kanta. Maxwell Oginni ya zana **My Rice Is Best**, wanda ya fito a bara kuma ya sami jerin lambobin yabo. Amma ya fito daga asalin raye-raye, inda kowane... Ba zan iya magana ga wasu marubuta ba, amma karo na farko da na sami zane-zane daga masu zane na—Nicola Slater don littattafan hoto, Vincent Batignole don littattafan babi—sau da yawa lokacin da labari ya fara jin kamar littafi na gaske. Dukansu suna son ƙara cikakkun bayanai na baya, kamar gaban shaguna, nassoshi, da halayen baya marasa sha'awa, waɗanda ke ba da labarun wani wadata da ba za su samu ba. Kuma har yanzu suna ba ni mamaki. "Ina son ƙara nassoshi ga fina-finai na, wasannin bidiyo, ko manga da na fi so," in ji Batignole. "Bugu da ƙari, ina tsammanin akwai aƙalla nassoshi ɗaya na Spice Girls a kowane littafin da na taɓa yi a kai." Gaskiya, wannan sabon abu ne a gare ni.
"Ba na gaya wa kowa wannan ba, amma ina ƙirƙirar tarihin baya ga kowane hali," in ji Slater. "Yana iya yiwuwa bai shafi labarin ba kwata-kwata, amma yana taimakawa saita yanayi da dalilansu, kuma yana tsara yadda littafin yake tafiya."
"Mafi kyawun marubutan yara sun san cewa za su iya barin mai zane da yawa," in ji Nick Sharratt, wanda ya zana littattafai ga Jacqueline Wilson, Michael Rosen, da Julia Donaldson. "Wani lokaci dole ne ka bar hotuna su yi aikinsu."
Dangantakar marubuci-mai zane mai tsananin haɗari ita ce ta Lydia Corry da Sally Gardner. Domin Gardner ita ce mahaifiyar Corry. Ko da yake sun yi aiki tare a kan kyakkyawan jerin Tindims, ba koyaushe haka yake ba. "Lokacin da nake ƙarami, na zana ɗan ƙaramin hoto a gaban littafinta **I, Coriander**, kuma da gaske ba ta son shi," in ji Corry. "Yanzu tana da zanen a gidanta, amma ta kasance tana da alaƙa da labarin, kuma ra'ayin gani duk yana cikin kanta. Don haka kana jin tsoro game da ko abin da marubuci yake so ne."
Hanya ɗaya don rage waɗannan tsoro shine yin komai da kanka. Akwai marubuta da yawa waɗanda suke zana ayyukansu, suna ba su matakin iko akan abin da aka gama wanda sauran ba za su taɓa samu ba.
Wanda aka fi sani da jerin Bunny vs. Monkey, Jamie Smart yana son cewa wannan hanya tana barin ƙarancin wuri ga masu karatu su fahimta ba daidai ba, musamman lokacin yin wasan ban dariya. "A zahiri ina cewa, 'Ga wannan hali, ga wannan wasan dariya, ga wannan ɗan labarin,' kuma duk an shimfida don ka gani," in ji shi.
Amma ko da marubuta-masu zane suna da iyaka akan ikonsu. "Lokacin da ka buga littafi, kana ba da shi gaba ɗaya," in ji Debi Gliori, mahaliccin littattafan gargajiya kamar **No Matter What**. "Ba za ka iya tsayawa a bayan mutane ka ce, 'Ina tsammanin ya kamata ka rage gudu,' ko 'Ina tsammanin ya kamata ka karanta wannan ɓangaren da murya mai ƙarfi.'" Ko da yake ana iya amfani da zane-zane don kusan komai, kusan duk wanda na yi magana da shi ya dawo, ba dade ko ba jima, zuwa ga wannan mahimmin inganci: farin ciki. "Ina da matukar muhimmanci game da zama mai wauta," in ji Hendra, da muhimmanci. "Ana raina dariya sosai, musamman ga yara. Amma idan ka ba yaro son zama mai wauta, kamar fasaha ce ta rayuwa." Kuma wannan jigo yana gudana a cikin yawancin masu zane da na yi magana da su. Sarah Horne, wadda ta zana littattafai ga Sam Copeland da Gianna Pollero, tana ganin aikinta a matsayin "kawo ɗan wauta da farin ciki a cikin littattafai," yayin da ƙarfin Smart yana sa shi so "mike duk halayen da tura su daga cikin bangarori." McIntyre ta ce ɗaya daga cikin mafi yawan magana game da cikakkun bayanai a cikin littattafanta na Adventuremice shine... Hoton wani hali yana zaune a kan bayan gida, tare da ɗan ƙaramin najasa yana shawagi zuwa sarari. Wannan ba ya buƙatar kalmomi da gaske.
Ga wasu, dama ce ta sake haɗuwa da tunanin karanta labaran kwanciya barci ga 'ya'yansu.
Amma ko da wauta tana buƙatar fasaha. Lokacin da Sue Hendra ta gama littafi, tana karanta shi akai-akai daga mahanga daban-daban—yaro, malami, iyaye mai gajiya—don tabbatar da cewa rhythm ɗin yana aiki. Lauren Child tana ci gaba da gyara littattafanta har zuwa lokacin ƙarshe. "Na gama littafin hoto, kuma har yanzu muna yanke kalmomi har zuwa minti na ƙarshe," in ji ta.
Rob Biddulph yana yin haka, yana cire duk wata kalma da hotuna za su iya nuna a sarari. "Ina rubuta labarin a matsayin waƙa, don haka yana da sha'awar sanya duk abin da ya faru a cikin waƙar," in ji shi. "Amma zane zai iya isar da ainihin ma'ana. Hotuna suna zana kalmomi dubu, kamar yadda suke faɗi."
Buɗewar Cibiyar Quentin Blake tana nuna yadda muka yi nisa a cikin gane tarihinmu mai ban mamaki na zane-zane da kuma yawan basirar da muka samar. Amma har yanzu akwai ci gaba da za a yi. "Shin ka san cewa, ba kamar marubuta ba, masu zane har yanzu ba su da sauƙin samun bayanan tallace-tallace?" in ji McIntyre. "Yayin da Julia Donaldson ta kasance marubuciya mai siyarwa da aka tabbatar, Axel Scheffler ba shi da lambobi don littattafansu tare. Ba ya ɗaukar wannan bayanan tallace-tallace tare da shi. Wannan yana da babban tasiri a kan yadda ake ganin masu zane."
Abu ɗaya da ya zo akai-akai a cikin waɗannan tambayoyin shine yadda yake da gata don ƙirƙirar littattafai ga yara. Ga wasu masu zane, dama ce ta sake ziyartar tunanin karanta labaran kwanciya barci tare da 'ya'yansu. Ga wasu, farin cikin ganin littafi ya lalace saboda ana karanta shi sosai. Wasu suna ganin zane a matsayin ƙalubale na hankali, wasu a matsayin hanyar fahimtar duniya. Amma duk sun yarda a kan abu ɗaya: kada a taɓa raina yara.
Tambaya ta ƙarshe da na yi wa Blake ita ce me yasa halayen da aka yi wa yara za su iya zama a cikin tunanin jama'a shekaru da yawa. "Muna jin za mu iya danganta su," ya amsa. "Ta wata hanya, sun zama abokanmu." Cibiyar Quentin Blake ta Zane-zane za ta buɗe a ranar 5 ga Yuni. qbcentre.org.uk
**Tambayoyin da Aka Yi Yawa**
Anan akwai jerin tambayoyin da aka yi yawa game da batun Ina Da Matukar Muhimmanci Game da Zama Mai Wauta Masu Zanen Yara Suna Magana Game da Fasahar Ba da Labari da aka rubuta cikin yanayin tattaunawa na halitta tare da bayyanannun amsoshi masu sauƙi
**Tambayoyin Matakin Farko**
1. **Menene ainihin ma'anar "Ina da matukar muhimmanci game da zama mai wauta"?**
Yana nufin cewa yin fasaha mai ban dariya, mai wasa, ko mai wauta ga yana ba wasa ba ne. Yana buƙatar aiki tuƙuru, fasaha, da tunani mai kyau don ƙirƙirar wani abu mai sauƙi da nishaɗi.
2. **Wane ne wannan littafi ko batun yake?**
Yana ga duk wanda yake son littattafan yara—iyaye, malamai, masu son zane, marubuta, ko duk wanda yake sha'awar yadda ake yin littattafan hoto.
3. **Shin wannan littafi ne game da dabarun zane?**
Ba daidai ba. Yana game da tunanin da ke bayan zane—yadda masu zane ke amfani da wauta don ba da labari, haɗi da yara, da magance matsalolin kirkire-kirkire.
4. **Me yasa masu zanen yara ke buƙatar zama da muhimmanci game da zama mai wauta?**
Domin yin wani lokaci mai wauta mai gaskiya da ban dariya yana buƙatar lokaci mai kyau, ƙirar hali, da fahimtar abin da yara ke ganin abin dariya da gaske—ba kawai wauta ba.
5. **Wane irin labarai ne waɗannan masu zane ke magana akai?**
Suna ba da labarai na bayan fage game da yadda suka ƙirƙira halaye, suka zaɓi launuka, kuma suka ƙara cikakkun bayanai masu ban dariya waɗanda ke sa yara dariya kuma su ci gaba da juya shafuka.
**Tambayoyin Matakin Tsakiya**
6. **Yaya masu zane ke daidaita wauta da labari mai ma'ana?**
Suna amfani da wauta a matsayin kayan aiki ba abin jan hankali ba. Hali ko yanayi mai ban dariya na iya sa saƙo mai muhimmanci ya zama mai sauƙi ga yara fahimta da tunawa.
7. **Menene wasu kurakurai na yau da kullun da sababbin masu zane ke yi lokacin ƙoƙarin zama masu wauta?**
Ƙoƙari da yawa don zama mai ban dariya. Wauta da aka tilasta tana jin karya. Mafi kyawun lokutan wauta suna zuwa ne daga halayen hali ko yanayin.
8. **Za ka iya ba da misali na dabarar zane mai wauta da muhimmanci?**
E, amfani da yanayin fuskar hali wanda bai dace da yanayin ba—kamar kare yana kama da muhimmanci sosai yayin da yake sanye da hula mai wauta. Wannan bambanci yana haifar da dariya.
9. **Yaya masu zane ke sanin lokacin da ra'ayin wauta zai yi aiki da gaske?**
Suna gwada shi a kan yara na gaske. Suna kallon dariya na gaske, kallon ruɗani, ko kuma idan yaro ya nemi ya sake ganin shafin.
