Sandra Oh ta shiga wani daki na baya a National Theatre a London, tana cike da kuzari bayan motsa jiki. Tana da shekaru 54, ta dade tana daya daga cikin 'yan wasan kwaikwayo mafi salo a Hollywood. Yau, tana sanye da lilin ruwan kasa, jaket din herringbone, hula, da tabarau. Ta cire su, ta fada kan kujera, ta sunkuyar da kanta gaba, hannayenta a mike, gashinta ya baje kan tebur. "Wannan shi ne kawai tsarin aikin," ta yi gunaguni. "Mun gama farkon tafiyar mu. Idan wani dan wasa ne—yana da farko, don haka yin nasara ya yi kyau. Yana da wuya. Mun fara a Lyttelton, kuma yana da ban sha'awa kasancewa a wannan wuri da jin baiti. Kana iya jin shi da gaske. Ba wai kawai game da kara ko gudu ba. Har ma ba wai kawai game da niyya ba. Kana koyan abubuwa da yawa kawai ta hanyar kasancewa a wannan wuri, amma babban abu shine—yi hakuri." Ta kama kanta. "Ina ci gaba kawai." Kuma ta fashe da dariya.
Oh ta kasance a London sama da wata guda, tana yin rehearsals na rawar ta a matsayin Alice a wani sabon salo na zamani na Molière's Le Misanthrope. Komawa ce mai dadi. Shekaru takwas da suka wuce, tana cikin babban birnin kasar tana yin fim na farko na jerin shirye-shirye hudu na shahararren shirin Killing Eve, wanda ya zama abin mamaki kuma ya canza rayuwarta a matsayin 'yar wasa har abada. Oh ta taka rawar Eve Polastri, jami'ar leken asiri ta Burtaniya mai rikici amma haziki, wacce tare da Jodie Comer's Villanelle, suka yi daya daga cikin mafi kyawun 'yan leken asiri a shekarun baya. Yanzu, tana taka rawar marubuci—canjin jinsi daga asalin karni na 17, a cikin wani sabon salo na Martin Crimp—wacce ta gaji da yabo da rashin gaskiya na mutanen da ke kusa da ita. Wannan mataki ne na ganganci zuwa gidan wasan kwaikwayo. Lokacin bazara na bara, ta bayyana a matsayin Olivia a wani shiri mai cike da taurari na Twelfth Night a Delacorte Theater a Central Park, New York. A cikin kaka, ta fara fitowa a New York's Metropolitan Opera a wani shiri na Donizetti's comic opera La Fille du Régiment. Ba kamar yadda aikin allo yake da wani lokaci mai tsananin damuwa ba, Oh ta ce yin aiki a gidan wasan kwaikwayo gaba daya, musamman a National, "abu ne na hadin gwiwa"—ba kadan ba, ta kara da cewa, saboda babu wanda ke yin shi don kudi. "Kowa dole ne ya kawo mafi kyawun kansa da budewa. Kuma kowa yana son ganin kowa ya yi nasara."
Wannan yanayi ne da ya dace da Oh a matsayinta na yanzu. A cikin 'yan shekarun da suka gabata, ta zama wannan mutumin da ba kasafai ake samu ba a Hollywood: mace mai shahara wacce kawai ta kara karfi da shekaru, mai goyon bayan matasa masu wasan kwaikwayo, kuma mai fadin gaskiya a cikin masana'antar da ke cike da mutanen da yabo ke karfafa su su yi maganganun banza. Tana da ban dariya, da wayo, da fahimta, kuma sama da haka, mai karimci da basirarta. 'Yan shekaru da suka wuce, a cikin New Yorker, ta yi magana game da tsira daga shekaru na wariyar launin fata a matsayin mace 'yar Asiya da ke kokarin ci gaba a matsayin 'yar wasa. (Game da daraktoci maza farare da ba su ba ta rawar ba, ta ce: "Kamar cin nasara kan saurayi mara kyau ne. Ba za su kira ba. Kawai ci gaba kuma ka yi hira da 'yan matan da suke son ka zama uwar su.") Daga baya, ta gaya wa New York Times game da jin "zama cikin wannan tsakiyar rayuwa mai wadata," inda "yanzu kawai [ina] da isasshen karfi da fatan alheri don shiga wuraren tambayar: me yasa na yi haka? Wanene ke jagorantar jirgin? Domin yanzu, a wannan rabin baya na rayuwata, ni ne kyaftin din jirgin."
A cikin diary din da Oh ke ajiyewa tun tana yarinya—wadanda aka fitar da wasu sassansu a cikin jaridu da podcasts—kana jin mutum mai zurfin tunani da adabi wanda ke da alaka mai zurfi da inda ta fito: wani yanki na Ottawa, Kanada, inda Oh har yanzu tana da abokai daga makarantar firamare. Idan muna son ta shekaru 20 da suka wuce a matsayin Dr. Cristina Yang a Grey's Anatomy—likitan zuciya mai kaifi da haziki—a kwanakin nan Oh ta zama mutum mai hikima sosai a cikin lokacinta, wanda, ta gaya mani...Ta ga yana da "sako-sako da ban mamaki kuma, kamar, mai fushi." Za mu kai ga hakan. Makonni biyu kafin in hadu da Oh a gidan wasan kwaikwayo, na gan ta a wani studio a jajibirin makon farko na rehearsals. A matsayin 'yar wasa da ke shirin fitowa a National a karon farko, Oh, 'yan makonni da suka wuce, ta samu sa'a mai ban mamaki ta hadu da Fiona Shaw a wani kantin sayar da kayan abinci a unguwarta ta LA, inda abokin aikinta na Killing Eve ya kasance yana zaune yayin yin fim. "Tana daya daga cikin manyan 'yan wasan kwaikwayo na zamaninta kuma ta san National," in ji Oh. A cikin titin supermarket kuma daga baya, a kan karin kumallo a gidan Oh, Shaw ta ba ta shawarwari da yawa game da matakin Lyttelton. "Ta ce, 'Idan za ka kasance a wannan matakin, ka kula da [layukan gani] a wannan yanki,' ko, 'Wannan shine mafi karfi yanki a kan mataki, yi wannan abu na fasaha ta wannan hanya.' Tana ba ni zinariya. Ba zan iya yarda ba."
A cikin studio a ranar farko da muka hadu, Oh tana sanye da jaket din fata mai gajere da takalmi na fata mai laushi wanda "yana da kyau kuma yana tallafawa. Ina bukatar tsari." Ba mu duka ba, na ce, kuma Oh ta yi dariya. A gaskiya, yayin da take jin dadin bangaren tsari da fasaha na aikin gidan wasan kwaikwayo, TV ne ya yi Oh. Tsallakenta zuwa manyan rawar ya zo a hankali. A kwanakin nan, yana da ban mamaki ganin Oh a cikin tsoffin fina-finai a cikin sassan da suka yi kama da kanana sosai a gare ta—kwanan nan, yayin kallon fim din 2001 The Princess Diaries tare da yarana, na yi mamakin ganin Oh a matsayin Vice Principal Gupta mai ban dariya. Sauran ayyuka daga wannan lokacin sun hada da "ma'aikaci na hudu da aka kora" daga wani abu da ake kira Full Frontal da "mutumin talla" daga fim din For Your Consideration.
Duk da jin dadin nasara ta farko a TV a Kanada da zama muhimmin dan wasa na kungiya na tsawon shekaru tara a Grey's Anatomy (2005-14), sai Killing Eve ne ta tashi da gaske zuwa matsayin jagora. Shahararriyar, lokacin da wakilinta ya kira ta da rubutun shirin, Oh ta dauka tana karantawa don wani karamin hali. "'Don haka Nancy, ban fahimta ba, menene bangaren?'" Oh ta tuna cewa ta fada wa wakilinta a lokacin. "Kuma Nancy ta ce: 'Sweetheart, Eve ne, Eve ne.'"
View image in fullscreen: Oh tare da Ellen Pompeo a Grey's Anatomy, 2006 (sama), da kuma tare da Jodie Comer a Killing Eve, 2019 (kasa). Hoton: Michael Desmond/five. View image in fullscreen: Hoton: Parisa Taghizadeh/BBC/Sid Gentle.
"Ashe wannan ba shine tambaya da kalubalen rayuwa ba? Yaya kake magance rayuwa ba ta da adalci, ko kuma ta zama yadda kake so?"
Oh a matsayin Eve ta kasance wahayi; a wasu lokuta mai ban dariya, mai rudani, tana tono kowane nau'i na abin da yake zama mai takaici, wanda aka manta da shi a cikin inji, duk yayin da take dauke da ingancin tauraro wanda ya fito ta hanyar hadin gwiwar lantarki da Comer.
Shekaru takwas da wani babban shiri—Netflix's kyakkyawan wasan kwaikwayo mai ban dariya The Chair—daga baya, halin Oh game da wannan tarihin yana da falsafa, da yarda, kuma yana kara gajiya da tambayar sake rayuwa. Tana da wuya 'yar wasa da ke son fadin abubuwa na siyasa kai tsaye kamar "Patriarchy yana gudana a cikin mu duka" ko "Idan za ka saka duk hannun jarin ka a jiran farin mutum ya ba ka dama… wannan yana da lalacewa." Amma a lokaci guda, sake maimaita munanan lokuta yana tsufa. Lokacin da na tambaye ta me ke fusata ta a kwanakin nan, ta ce: "Ashe wannan ba shine tambaya da kalubalen rayuwa ba? Yaya kake magance rayuwa ba ta da adalci, ko kuma ta zama yadda kake so? Dole ne ka gano shi. Dole ne ka sami hanyoyi daban-daban don gano abin da ke faruwa a cikin tunani da kuma a bayyane. Yawanci mata suna da—bai kamata in ce 'yawanci mata' ba." Ta yi tunani na dan lokaci. "A'a, zan ce haka. Ina tsammanin wannan shine abu daya da musamman maza masu son mata ke da wahalar yi, wato—"Ina son abota inda muke yin tattaunawa mai zurfi kuma muna iya magana sosai. Ina da irin wannan dangantaka da abokai, maza da mata. Ina da sa'a, amma kuma, idan kai mai fasaha ne, kana koyaushe kana kokarin gano hakan a cikin aikinka."
Gano me, daidai?
"Gano abin da kake fada—kamar, yaya zan magance fushina? Ko yaya zan magance abin da ke faruwa a duniya? Kana iya yin hakan ta jiki, ta hanyar magana, ko ta hanyar fasaha. Na dade ina saka hakan a cikin kowane aikin da nake yi."
Magana tana da muhimmanci ga Oh, wacce "ta yarda da magani sosai" kuma tana kusa da tsofaffin abokanta. A farkon shekarun 2000, ta auri darekta Alexander Payne na tsawon shekaru biyu, kuma suka yi aiki tare a fim din 2004 Sideways. Ba za ta tattauna rayuwarta ta sirri ba, amma za ta yi magana game da sauran dangantakarta. Oh ta girma a matsayin daya daga cikin yara uku. Mahaifiyarta 'yar kimiyyar halittu ce, kuma mahaifinta yana aiki a kasuwanci. Sun koma Kanada daga Koriya ta Kudu a shekarun 1960. Tana tunanin kasancewarta 'yar tsakiya yana da alaka da rawar da ta dauka a matsayin "mai kawo ciki." Ta ce, "Ni mai kiyaye mutane ne. Ba ni da waje a wannan hanya. Ina son jituwa da al'umma."
Kawai wannan safiya, ta ce, tana kan kiran bidiyo tare da tsohuwar abokinta a Kanada, mace da ta sani tun tana shekara shida. Sun sha wucewa ta matakai da yawa na abota. "Dole ne ka girma daga shekarun samartaka, sannan ka buga wani mataki a cikin shekarun 30." A wannan lokacin, ita da abokinta sun tafi wurin likitan tunani tare saboda, "muna girma zuwa mutane daban-daban kuma muna kokarin gano yadda za mu kasance kusa." Kuma, "Dole ne in fada maka," ta ce, "yana da wuya sosai." Shin akwai damar cewa ba zai yi aiki tsakanin su ba? "A'a. Ina jin cewa mutanen da suka fi kusa da ni dole ne su iya fuskantar abubuwa."
Ta fashe da dariya a fuska ta. "Duba yadda ka ji tsoro."
Na yi!
"Ka yi tunanin wanda kake damuwa game da shi sannan ka yi tunani, zan iya [fuskantar su]? Wannan zai yi muni sosai. Amma sai..." Ba ta yi nisa ba.
Yana da taimako tuna cewa Oh ba Ba'amurke ba ce. Yayin da 'yan Kanada za su iya zama masu gujewa kamar Birtaniyya game da gaskiya ta motsin rai, ta tuna mini cewa "mutanen Koriya suna da yawan fuskantar juna. Akwai wani yanayi daban a cikin tsarin iyali na [Koriya]—ko da yake ina tsammanin na bambanta, har ma a cikin iyalina." Ya dauki lokaci don koyon yadda ake fuskantar mutane ba tare da rasa fushi ba. "Dole ne in sha magani mai yawa don kada in yi amsa da sauri."
Dokarta gaba daya game da dangantaka ita ce, "budewa, amincewa, yarda. Kasancewa ba mai hukunci ba. Ina tsammanin yadda kake da 'yanci, yadda kake barin kowa ya zama mai 'yanci." Ta ce, "Ina da abota mai tsawo da yawa. Ina daraja su kuma ina da kyau a ci gaba da su. Ni ne mai haɗa kai tsakanin kungiyoyi daban-daban. Zan fara rukunin WhatsApp, ko zan fara Zoom a lokacin Covid. Ni ne sau da yawa mai cewa, 'Ok, mu je wani wuri!' Dole ne ka yi kokari, ba za ka iya kawai tafiya ba." Wadannan abubuwa suna bukatar aiki, ba shakka. Akwai batun bacin rai. "E. Kana tsammanin yana faruwa ne kawai a cikin dangantakar soyayya, amma wannan ba gaskiya ba ne."
Lokacin da Oh ta gama makarantar wasan kwaikwayo, wani ya fada mata wani abu da ba ta manta ba. Yin wasan kwaikwayo ba shine burinta na farko ba, ko kuma, ta boye wa iyalinta yadda take da gaske game da neman shi. "Ni kadai ce a cikin iyalina wacce ba ta da digiri na biyu," ta ce. Ta shiga jami'a don karanta aikin jarida, kuma ta yi alkawari ga iyayenta cewa za ta koma gare shi idan wasan kwaikwayo bai yi aiki ba. Bayan ta kammala daga National Theatre School of Canada a Montreal, an ba Oh rawar nan take a cikin 1994 na farko na Kanada na David Mamet's Oleanna. "Wani aboki na kusa ya ce mini: 'Oh my God, taya murna, ina matukar farin ciki a gare ka. Ina matukar kishi, kuma ina matukar farin ciki.' Kuma na ga cewa tana nufin duka biyun kuma ta rike duka biyun, kuma zan iya rike duka biyun."
[Hoton: Hoton Stephanie Sian Smith/The Guardian]
"Ina son rawa; Ina son motsa jikina. Ina tsammanin akwai amsoshi a cikin jiki." Muhimmin darasin da Oh ta dauka daga wannan musayar shine cewa kishi na iya zama tsaka-tsaki idan ka yarda da shi. Wannan ya kasance mai muhimmanci a gare ta wajen kiyaye tsofaffin abokai. "Na ajiye duk abokaina daga farkon yarinta da abokan makarantar wasan kwaikwayo, da kuma dangantakar aiki da mutane a Kanada. Ina fatan zan yi wani abu a Toronto kuma na fita cin abinci da darekta kuma na yi masa 'cheers', kamar, ka sani masoyi, wannan shine dangantakarmu ta shekaru 30. Wannan yana da ma'ana sosai a gare ni."
Ta yi tunani kuma ta kara: "Rayuwa na iya zama mai tada hankali, don haka dole ne ka gano: menene masu daidaita ka?"
A cikin wadannan shekarun farko na aikinta a Kanada, Oh ta ji dadin nasara mai yawa. Bayan wasan Mamet, an ba ta rawar jagora a wani fim din TV mai yabo mai suna The Diary of Evelyn Lau, wanda ya ba da labarin wata yarinya da ta gudu daga gida. Sannan ta taka rawar take a wani biopic na CBC na Adrienne Clarkson, 'yar Kanada 'yar China wacce ta zama sananniyar 'yar jarida kuma gwamna janar na Kanada. Don rawar jagora a wani fim mai suna Double Happiness, Oh ta lashe lambar yabo mafi kyawun 'yar wasa a Genies, wanda yake daidai da Baftas na Kanada. Don haka ta yi abin da 'yan wasan Kanada masu nasara ke yi: ta tattara kaya ta nufi Hollywood.
Faduwar ta kasance mai tsanani kuma nan take. Ba da daɗewa ba bayan isa LA, wani wakili ya gaya mata cewa babu wani rawar da 'yan wasan Asiya za su iya yi na akalla shekara guda kuma zai fi kyau ta koma Kanada don "ta zama shahara" (ta riga ta shahara a Kanada). Oh dole ne ta sami kwarin gwiwa a duk inda za ta iya, kamar yadda ta yi tun tana shekara 10, lokacin da ta lura da kowane mai launin fata a kan allo, ko kuma daga baya, lokacin da ta sami kwarin gwiwa daga misalin Yoko Ono. Ta yi mu'amala ta sirri guda biyu "a cikin mahimman lokuta" a cikin wadannan shekarun da suka taimaka mata ci gaba lokacin da ya zama kamar ba za ta taba samun nasara ba. A 1997, Oh ta lashe lambar yabo ta CableAce don mafi kyawun 'yar wasa a wasan ban dariya don rawar da ta taka a wani shirin HBO mai suna Arliss. A bikin, ta hadu da Alfre Woodard, 'yar wasan da aka zaba don Oscar wacce a yanzu tana yin aiki mai ban mamaki tare da Alfred Molina a cikin shirin Netflix na kimiyya mai ban mamaki The Boroughs. "Ba ta san ko wanene ni ba," in ji Oh, "amma ta dauke ni gefe ta fada mini wani abu mai karfafa gwiwa, wanda shine, ci gaba, baby. Kuma wannan yana da ma'ana sosai a gare ni; Na san Alfre Woodard kuma na girmama ta a matsayin mai fasaha, kuma wani ne kawai ya ce, 'Ci gaba.'"
Na biyu mai karfafa gwiwa shine Jamie Foxx, wanda ta hadu da shi a wani taron kyaututtuka—Oh ta yi dariya, "wannan shine lokacin da kake haduwa da wadannan mutane. Kuma shi ma ya ce ci gaba." Ba ya dauka da yawa. "A'a. Wani lokaci matasa suna zuwa gare ka, suna budewa kuma suna da rauni, kuma yana da wani nauyi a kanmu a matsayin manya don jagorantar su. Yana iya zama kawai kalma mai kyau, ko kuma za ka iya saka hannun jari a cikin wani lokaci kuma ka yi magana da matashin."
[Hoton: Hoton Stephanie Sian Smith/The Guardian]
Oh tana yin hakan da kyau kuma tare da wani nau'i na soyayya mai tsanani. Ga wadanda ke cikin masana'antarta da ke yin korafi marasa iyaka game da kudin shahara, ta ce a hankali, "Babu wani abu da yake kyauta." Idan duk ya yi yawa—hankali, hasashe—ta nuna, "Kana iya tafiya koyaushe." (Ba sa yi.) Oh ta ce ba ta taba zama mai rauni musamman game da jarabar shahara, ko wani abu. Don haka. "Ba na tsammanin na taba kasancewa cikin hadari. Ina nufin, har ma a mafi karancin matakai na, sun kasance na al'ada—kamar karayar zuciya ko damuwa saboda ba ka san abin da za ka yi ba, kawai abubuwa na al'ada. Wataƙila ban shirya fada abin da jarabata take ba, amma ba na yau da kullun ba. Na kai matsayi inda—yana da ban gajiya sosai; yana da ban gajiya sosai," ta ce da fidda rai na ban dariya. "'Dole ne in sha kadan saboda cikina.' Wannan shirme ne. Yana da ban tsoro sosai."
Tana yin tunani. ("Duk abin da kake bukatar ka gano a rayuwa ana samunsa a kan wannan matashin.") Kuma tana ci gaba da aiki. Kafin kowane sabon rawar, Oh tana mai da hankali kan bangaren jiki na aikin—tana matukar son aikin jiki. "Amma ba motsa jiki ba; ba wasanni ba. Ina son rawa; Ina son motsa jikina. Ina tsammanin akwai amsoshi a cikin jiki. Ina tsammanin akwai abubuwa da aka kama a cikin jiki." Tana shirya rawar a kan motsi kuma sau da yawa tana yin zagaye don taimakawa haddace rubutun. "Koyaushe ina neman wurin shakatawa da bishiya don koyon layina. Yana aiki mafi kyau a gare ni. Lokacin da nake yin Killing Eve, ina cikin wannan lambun kuma akwai wata bishiya ta musamman." Ta yi zagaye da zagaye har sai ta kware.
Ta ce kyakkyawan rubutu shine mabuɗin kyakkyawan wasan kwaikwayo, kuma na tambaye ta idan rubutun Phoebe Waller-Bridge na wannan kakar farko na Killing Eve ya sauƙaƙa aikinta. "E, kuma wannan yana da alaka—musamman da TV da fim—da sauti. Tare da wani abu kamar wasan kwaikwayo, kana da sarari mai yawa don fassara shi. Tare da wani abu kamar TV, kana bukatar sautin ya kasance a kan shafin. Don rubuta sauti, dole ne ka fito daga wani takamaiman ra'ayi."
Menene game da macen da take fadin ra'ayinta sannan a harbe ta saboda haka?
Yayin da sabon salo na Le Misanthrope an sabunta shi zuwa harshen zamani, tattaunawar har yanzu tana cikin baiti, kuma Oh tana ganin yana da ban sha'awa—"kalubalen harshe na fasaha yana da ban sha'awa a gare ni, saboda dole ne ka yi amfani da wata tsoka daban. Wata hanya ce ta kawo binciken motsin rai. Tsohon wasa ne!"
View image in fullscreen
Tare da Tom Mison a rehearsal na The Misanthrope. Hoton: Marc Brenner
Yana da; Le Misanthrope ya bude a 1666 a Théâtre du Palais-Royal a Paris, ko da yake Oh tana ganin yana da dacewa da zamaninmu. "Molière ya sanya shi a duniyar wasan kwaikwayo, inda akwai masu fasaha da marubuta da tsegumi. Yana da yawa game da munafunci da neman gaskiya na Alice, wanda ke da ma'ana a 2026—wahalar samun gaskiya. Ina fatan yana da ma'ana mai fadi game da abin da yake nufi don son fadin gaskiya, da yadda yake da wuya." A cikin wasan, Alice ta shiga matsala don fadin ra'ayinta, kuma, in ji Oh, "Ina bukatar gano abin da hakan ke nufi—ba kawai ga hali ba. Menene nufin fadin ra'ayinka a wannan matsayin rayuwarka? Menene game da macen da take fadin ra'ayinta sannan a harbe ta saboda haka?"
'Yan watanni da suka wuce, Oh ta bayyana goyon bayanta ga Zohran Mamdani, dan gurguzu na dimokuradiyya kuma sabon zababben magajin garin New York, kuma ta yi farin ciki sosai lokacin da ya bayyana a wani wasan kwaikwayo na Twelfth Night a Central Park. "Abin da ya ban mamaki, a matsayin ba dan New York ba, shine ganin yadda ya shafi dukkan 'yan wasanmu, wanda ya bambanta sosai—rabi sama da 50, rabi matasa sosai. Kuma yadda 'yan wasan suka haskaka lokacin da suka hadu da Mamdani, ya zama kamar, oh, wannan shine wanda yake wakilta kuma wannan shine yawan begen da yake kawo wa mutanen New York."
Oh tana aiki sosai wajen inganta wakilcin gaskiya na al'adun Asiya a kan allo. A 2021, ta yi jawabi mai zafi a wani taron Stop Asian Hate a Pittsburgh, inda ta maimaita abin da ya zama sanannen taken: "Ina alfahari da zama 'yar Asiya. Ina nan." A 2022, ta rubuta game da aikinta ga wata mujallar adabi ta yanar gizo, tana cewa, "A karon farko, ina samun rawar fim inda sunan halina ya zama Koriya."
Ya dauki lokaci mai tsawo don ta isa nan—duka game da masana'antar da take aiki da kuma aikin sirri da ta yi don sarrafa shekaru na ture ta gefe. Ta yarda cewa ba ta isa ba tukuna. Kuma duk da haka. "Duk wannan aikin da kake yi a lokacinka, da zuciyarka, a tsakiyar dare? Wannan shakka, bacin rai, tambaya, fushi? Duk yana juya zuwa wani abu." Lokacin da take magana game da karbar dukkan sassan kanta—ciki har da wariyar launin fata da kyamar mata na ciki—sau da yawa tana kammala, "Babu kai. Ma'ana ba dole ba ne ka kasance daure da wani tsayayyen ra'ayi na wanene kai. Amma wannan ba mai sauki ba ne."
A halin yanzu, Oh tana nan don jin dadi. A bayan gidan wasan kwaikwayo na National, tana yin abin da ta fi kyau: gina al'umma. A kan teburin da ke tsakaninmu akwai kwalban ruwa da aka rufe da lambobi da ta yi a lokacin wasan Twelfth Night, wanda ya hada da dukkan abokan aikinta—ciki har da Peter Dinklage da Jesse Tyler Ferguson—suna yin fuskoki na ban dariya. "Oh, wannan shine Jesse, yana dandana miya mai zafi," ta ce tana dariya. Daga baya, ta tambayi wani mataimakin samarwa ko zai iya samun hotunan gaskiya na abokan aikinta na yanzu don juya su zuwa lambobi don wannan manufa—wani aiki na gina kungiya na kwatsam wanda ke ba ta dariya.
Kuma idan ta bar gidan wasan kwaikwayo? "Ba na wasa ba, dole ne in yi barci," ta ce, idanunta suna cike da mamaki. Oh, wacce take cike da kuzari, ta san iyakokinta. "Tare da wannan wasan, ina bukatar sa'o'i 10 na barci. Ina shiga gado da karfe 8:30 na dare kuma in tashi da karfe 7 na safe." Yana da mai da hankali sosai, amma bayan duk wadannan shekarun na jin ba a wurin da aka hana ta dama, wannan wani abu ne mai dadi da take farin ciki da shi. "An ba ni izinin mai da hankali kan wannan abu daya kawai. Ina yin wannan don wani dalili. Yana da gata don iya mai da hankali a kai. Sannan da fatan, ka isar." The Misanthrope yana a Lyttelton a National Theatre, London, har zuwa 1 ga Agusta.
Shoot credits: Hair: Carlos Ferraz. Makeup: Sara Hill. Stylist's assistant: Charlotte Gornall. Main image and final shot: pink shirt and white trousers, both Carven; bracelet, resin ring, and resin pendant necklace, all Dinosaur Designs; earrings and gold ear cuff, both Otiumberg. Fabric and sofa, House of Hackney. Sofa shot: midi dress and embellished shoes, both Simone Rocha. White and yellow dress shot: sequin dress, Huishan Zhang; earrings, Completedworks. Pink dress shot: organza dress, Cecilie Bahnsen; earrings, Completedworks.
Tambayoyi da Aka Yi Yawa
Anan akwai jerin tambayoyin da aka yi yawa daga hangen wani mai karanta labarin game da yadda Sandra Oh ke tunkarar fushi, haushi, da tsakiyar rayuwa
Tambayoyi na Matakin Farko
Q Menene Sandra Oh ke nufi da cewa tana tura fushinta cikin komai
A Ba ta danne fushinta ba Maimakon haka tana amfani da wannan kuzari mai zafi a matsayin mai kara kuzari ga aikinta, abotanta, da kuma tafiyarta ta sirri Yana da tushen karfi ba abin kunya ba
Q Shin yana da lafiya amfani da fushi a matsayin kuzari
A E idan aka yi daidai Hanyar Sandra ita ce tura ji—amfani da kuzarin don mai da h
